Confession time: When I decided to watch and then write a piece about the first season of Veronica Mars as part of my internship at TWoP, I told the editors that I had never before seen the show. But I had -- just once.
Over the years, and most recently with Awkward., MTV has tried its darndest to prove to the world that they "get" their teenage audience. It's no easy feat to capture the high school experience, but it shouldn't be rocket science, either. Let's take a look and see which of MTV's attempts at representing the four best years of our lives made the grade, and which were total failures.
Though it's been available on iTunes for years, for those of you who still collect non-digital forms of media, the physical DVD release of Nickelodeon's much-beloved cowboy comedy Hey Dude is finally out this week. Like millions of other children of the '90s, I was a huge fan of the show as a kid, so when we got our hands on a copy of the DVD-set I decided to take a nostalgic look back at the show. What I found was that, in addition to the expected hilariously unfortunate '90s fashion and the awful acting, the show is also so firmly set in the analog age that it's outdated in many other unexpected ways as well. These were the ones that stood out to me the most when I wasn't, you know, obsessing over how stupid the boys are for not noticing that Melody is still so much hotter than Brad (which took up about 95% of my viewing time).
Every generation has a group of kids they feel like they grew up with because they watched them on TV. For me, it's the Disney and Nickelodeon "class" of 1995 to 2005. They were examples of how to always feel embarrassed by my parents (That's So Raven), crimp certain parts of my hair and not others (Lizzie McGuire) and talk in loud, obnoxious voices (All That). So with Raven-Symone's impending return to TV on ABC Family's State of Georgia, I'm taking a look at where my former Disney and Nick role models are nowadays, and assigning superlatives to their adult lives and careers.
Last night, ABC Family debuted a new series about a girl who gets super genetic powers on her sixteenth birthday and then ends up having to save her whole random race of genetic mutants from some other random enhanced beings who are chasing her down (or something like that). She also can die and come back to life (supposedly nine times... because her particular superpowers are cat-like). While we enjoyed the premiere of this summer romp for what it is, it definitely brought to mind more than a handful of other series that have come before it. (Keep in mind we're basing this on the pilot of the show, not anything from the book series.)
Did anyone really believe this pair of gin-soaked women was gone for good? Jennifer Saunders recently announced that she will be penning a few more Absolutely Fabulous episodes for the BBC this summer, which can't come soon enough. We're dying to know what Saffy and (not so) baby Lola have been up to. And Is Gran still around? What's Bubble wearing now? What religion are Bo and Marshall this year? One thing is for certain, though: Eddy and Patsy will be exactly the same -- drunk, drugged and fabulously deviant. Here's our fond look at the signature AbFab traits we can't wait to see make a return to television.
Every now and then, a sitcom comes along that isn't just forgettable, it's unforgettably bad. We aren't saying we can do better, mind you, we're just saying that it's unbelievable that some comedies progress through multiple stages of development and make it to TV screens while still being irredeemably awful. The latest show to make us shake our heads is The Paul Reiser Show, which is all about Paul Reiser's real life, something that hasn't been very interesting since Mad About You (or even, arguably, My Two Dads). And while there have been bad television shows since the birth of the medium, we're going to focus on the ones that are still freshest (and therefore still painful) in our collective memory. Editor's note: After reading the premise of each of these, insert the words "Hijinks ensue."
After so much March Madness, How I Met Your Mother is finally returning for the last leg of its season. Compared to last season, this one has been okay, with a particularly effective recent string of episodes, but that just isn't enough. We remember a time when we thought that HIMYM was going to save the laugh-track sitcom's soul and we think there's still a chance for the series to return to peak form -- by using past shows as a guide to what should happen in the future.
Since the dawn of the Cold War, spies and comedy have gone hand-in-hand -- probably to ease the tension of knowing there are people out there looking to destroy your way of life -- and television has developed a long tradition of wacky spy shows. Currently in its fourth season, Chuck is a shining example of the genre, making great use of famous TV and movie spies in guest roles, and the animated Archer takes the James Bond type down a new, hilarious road. But the newest comedic spy series on TV is Chaos, about a team of misfit CIA agents who fight their superiors and departmental bureaucracy as much as they fight terrorists, and so far it looks like it splits the difference pretty evenly between comedy and action. While some series are funnier than others -- both intentionally and unintentionally -- these are some of our favorites from the genre.
This isn't about cougars chasing after twentysomething guys or college students hooking up with professors. We're talking about relationships between adults and underage teenagers that are actually illegal, among other things. Yet, while they're illicit, ill conceived and dangerous in the real world, we can't get enough of them on scripted TV. Hell, some of them are our favorite small-screen couples of all time. While there is a current rash of hot-for-teacher storylines, there have also been plenty of other underage characters who've fallen for someone far too old for them.
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