BLOGS
August 2009 Archives
When you have the ability to purchase a robot duplicate and send it out in the world, why would you make it look exactly like you, except with a floppy, blonde toupée? Omar G. and Pablo G. -- the Flying Gallaga Bros. -- ask that very question while watching the trailer for Surrogates, Bruce Willis' new actioner about people staying in their apartments while sending robots to do the risky stuff, like shopping and driving and going to work. See vloggers Omar and Pablo dissect the logic of this world (via animated surrogates, of course) in the latest installment of Trailers Without Pity, and weigh the drawbacks/benefits of such a lifestyle. Click the link, or watch it below!
Fall Movie Previews Without Pity are Live!
Looking to find out what the big movie releases of the fall are? Well, barring any unfortunate incidents like last year's surprise postponement of Harry Potter and the Half-Blood Prince, MWoP has put together the essential guide to the final season of 2009, broken down into five convenient categories: Comedies and Dramedies, Serious Dramas, Chills and Thrills, Animation and Sci-Fi, Action and Adventure. There's a bit of cross-pollination in there, but all of the big releases this season are covered in one of those galleries, as well as some little gems we can't wait to see. Sure, there are a lot of Oscar-bait movies and horror flicks, as is the season's wont, but there are also a lot of big spectacles and even a few potential blockbusters, so start planning your calendar appropriately!
I guess this movie warrants a whole review. I don't have a whole lot say about it, because it's one of the laziest, most forgettable pieces of pandering garbage I've seen in a while, so I'll just keep this brief. Long story short: anybody could've written that screenplay. I could've written it. You could've written it. And it wouldn't have even taken either of us very long -- maybe a Sunday afternoon -- and we could have done other things while we were writing it, like, fold a pair of jeans, rip off a random part from a time traveling thing we sort of remember from another movie or show, mix a drink, write a line of half-hearted, uninspired "romantic" dialogue, brush the cat's teeth, write another Eric Bana's butt appearance -- oh! I forgot to tell you! You see Eric Bana's butt in this movie more often than you see his face. I am serious. So if you're really into Eric Bana's butt, now you know where you can find it. (More like The Time Traveler's Butt, am I right?)
By now the omnipresent District 9 buzz has undoubtedly reached you, and you're probably doubting that anything could be as good as people are saying this movie is. And I could sit here and illuminate the things that are wrong with it, but that would be futile -- because ten years from now this movie is going to be considered a classic, and rightfully so. It's a sci-fi movie that doesn't necessarily bust out of its genre roots, but it's far more Escape from New York than Independence Day, and I mean that as high praise. Escape from New York has a lot of flaws, but Escape from New York is also a great movie. So is District 9.
Once upon a time, Jeremy Piven was a humorously welcome presence in our movies and on our televisions. (Remember when he played TV George on Seinfeld?) Then something happened. His rapid-fire conversation style and cocksure bravado went from charming to kinda obnoxious. Maybe it was when he got a regular gig on Ellen, or when he stopped playing the best friend all the time, but whatever it was, his shtick started to get a little old. We're reluctant to go see his new movie The Goods: Live Hard, Sell Hard, because we're worried that partway through we'll hit our capacity for Piven and have to leave the theater. To try and break it down scientifically, we looked back at Piven's body of work to see how much Piven, exactly, is too much Piven.
One of the funniest movies in recent memory (assuming you like Paul Rudd), one of the greatest TV shows ever (depending on how you feel about Southern belles) and one of the awesomest on-demand movies ever (entirely contingent on how you feel about things that are awesome) are all coming out this week, so get to your DVD store or your on-demand TV menu and purchase the following.
We love Eric Bana. The Australian actor has played three major roles this summer, in three different genres -- the villainous Romulan Nero in Star Trek, Leslie Mann's straying husband in Funny People and the titular time traveler in The Time Traveler's Wife -- which leads us to believe that there's nothing the man can't do. Who else could have played Hector, Henry Tudor and Bruce Banner?! While his schedule certainly wouldn't have allowed it, we wish Bana had appeared in more of this summer's movies, since so many of them were miscast or just plain disappointing. Perhaps if he were really a time traveler, he would be able to go back and join the casts of the following films, thereby making them a whole lot better than they came out.
G.I. Joe: The Rise of Cobra and the Lowering of Expectations
I've figured out what it is about Stephen Sommers' movies that I absolutely despise. It's the fact that at no point in any of his films do I feel like any of what I'm watching is real. And it's not the mummies and the vampires and Sienna Miller's cleavage that make me think that -- it's the way the actors talk to each other, the way the music never stops, and the way that at no point does any character close his mouth. Every last moment is filled with dialogue, which isn't how the world works, and the constant music fills in any scenes they accidentally forgot to record dialogue for. At least Michael Bay had one or two scenes in Transformers: Revenge of the Fallen with no music or no dialogue, and it seemed to be entirely on purpose. Meanwhile, Sommers has actually made a movie that may be worse than Van Helsing, which is saying something. Specifically, it's saying that there is no slam-dunk movie idea that Sommers cannot ruin, or at least make enjoyable only by slightly dim children.
At the risk of sacrificing any shred of credibility I have left after constantly writing about ABC Family shows, I must admit that I was not even alive when the majority of John Hughes's films came out. But before you start counting back on your fingers in horror, allow me to say that, despite my untimely year of birth, my childhood (and perhaps current life) was filled with longing to be a member of the Brat Pack. Why? Because John Hughes left behind a legacy of teen comedies that even 12-year-olds with cell phones can appreciate. (Sidenote: I didn't have a cell phone until I was 16). Here are five reasons why these movies will stand the test of time:
We were delighted to see that Hulu had a nice variety of John Hughes movie clips posted, so we thought we'd share some with you, today, in this time of mourning. Safe for work, unless you work somewhere where they have no souls. ...Or get uncomfortable when Judd Nelson describes teen sex in intimate detail. Or have a strict anti-Anthony Michael Hall policy. (There's a lot of AMH in these clips.)
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