Vanishing on 7th Street: Beware of Darkness, Ambiguity

Hayden Christensen. John Leguizamo. Thandie Newton. When I heard that three of my least favorite actors were going to be in a movie together, I knew I had to see it. Sure, it didn't have John Travolta or Katherine Heigl, but let's not get carried away, here. We don't want people to hurt themselves. The plot didn't even matter -- it looked like a sci-fi horror movie to me, and that's all I needed to know. As long as everyone got to over-act, and then be annoyingly glib with each other, I would be happy, and in that respect the film didn't disappoint. Unfortunately, the plot left a lot to be desired, and the cast spends the entire movie fighting off darkness and shadows with flashlights. Hayden Christensen once taught us to never underestimate the power of the dark side, but it's not enough to base an entire movie on.

In the film, Christensen wakes up in a city where most of the population has disappeared overnight, leaving behind their empty clothes and empty cars and crashing airplanes. (Shades of FlashForward!) It seems that living shadows are finding us and taking us away, only they need complete darkness to do it, and they can shut off the power to places to get it. As a result, only a personal light source can keep them away: a lighter, a flashlight, a glow-stick, etc. If you can get a car to start, car headlights will also work -- even though they apparently didn't work initially, nor did airplane control panels. Gas-powered generators work, too, and it's a bar powered by a generator that Christensen (now a heartless scavenger) arrives at days later, followed by a nurse (Newton) and a projectionist (Leguizamo). The bar is run by a boy whose mother has gone missing, which means all four have lost somebody important to them. And with the days getting shorter, the gas running low, and the shadows starting to mimic their lost loved ones (or are they actually the loved ones?), time is running out, which leads to a lot of fighting and flipping out on each other.

The movie is technically post-apocalyptic, but it's not like we get to see too many cool scenes -- it's low-budget film, so it's really dark outside most of the time, with a lot of shooting day-for-night, and they keep adding more shadows in post, including human-shaped statues that stand around and watch them from a safe distance. I'd say that the idea of shadows hunting us sounds cool, but it's been done before, in a million movies where shadows reach out to attack somebody, and they've even walked around and done stuff in movies like The Eye. It's never really made clear what these shadow creatures are, but they're pretty uninteresting as bad guys, both visually and motivationally. They can't go near light, but they spread darkness, so it's not exactly clear why they can't catch these remaining people, let alone why they want to. So if you're looking for a generically spooky supernatural thriller, catch the movie on demand, but don't expect the film to shed any light on the storyline.

Vanishing on 7th Street opens Friday at the Village East in New York City, but is also available on demand. Let us know what you thought of it below, and click here for more reviews!

What are people saying about your favorite shows and stars right now? Find out with Talk Without Pity, the social media site for real TV fans. See Tweets and Facebook comments in real time and add your own -- all without leaving TWoP. Join the conversation now!

4 Comments

February 17, 2011 6:16 PM
Jen
Reply

It's Hayden CHRISTENSEN. IMDb is your friend. ;)

February 18, 2011 3:54 AM
Colton
Reply

Guess you didn't get the metaphor of the film - it's the way we look at our own deaths. There are no clear explanatins as to why we die and what happens after we die. The movie is structured like that. The characters don't know why this is happening to them and when they might just "vanish". It's unsettling, a thinking man's thriller.

February 18, 2011 4:11 AM
ALexandra
Reply

Hey, I agree with Jen, It's Hayden Christensen for heaven's sake! He's so nice just to watch on the big screen, who cares about anything else?

February 20, 2011 8:10 PM
Zelmia
Reply

I don't understand the premise. Shadows can't exist without light, so it seems to me that these Shadow creatures or whatever should come out in the daytime, or wherever there is light. Seems to me that darkness, in which shadows disappear, should be the safety for these protagonists.

Loading...

Add a comment

TWoP Toolbar

BLOG ARCHIVES

The Moviefile

January 2012

2 Entries

December 2011

27 Entries

November 2011

22 Entries

October 2011

22 Entries

September 2011

29 Entries

August 2011

27 Entries

July 2011

30 Entries

June 2011

25 Entries

May 2011

13 Entries

April 2011

23 Entries

March 2011

22 Entries

February 2011

33 Entries

January 2011

39 Entries

December 2010

21 Entries

November 2010

29 Entries

October 2010

23 Entries

September 2010

25 Entries

August 2010

26 Entries

July 2010

29 Entries

June 2010

36 Entries

May 2010

22 Entries

April 2010

26 Entries

March 2010

30 Entries

February 2010

19 Entries

January 2010

19 Entries

December 2009

15 Entries

November 2009

21 Entries

October 2009

27 Entries

September 2009

30 Entries

August 2009

28 Entries

July 2009

34 Entries

June 2009

27 Entries

May 2009

24 Entries

April 2009

23 Entries

March 2009

18 Entries

February 2009

30 Entries

January 2009

56 Entries

December 2008

51 Entries

November 2008

61 Entries

October 2008

102 Entries

September 2008

86 Entries

August 2008

99 Entries

July 2008

116 Entries

June 2008

95 Entries

May 2008

86 Entries

April 2008

67 Entries

March 2008

14 Entries