Five Thoughts About The Avengers Trailer

by Ethan Alter October 11, 2011 12:19 pm
Five Thoughts About <i>The Avengers</i> Trailer

They're heeeeere! Joss Whedon's all-star adventure The Avengers is still seven months away from hitting theaters, but Disney is wasting little time getting footage out there to the superhero-starved masses. After a new batch of photos hit the interwebs last week, here comes the movie's first official trailer, which offers a far more substantial peek at the movie's scale and set-pieces than that short teaser at the end of Captain America: The First Avenger did. Here's our instant reaction to a trailer we're sure we'll be watching over and over again in the run-up to the movie's May 4, 2012 release.

Need A Good Cry? Eternal Sunshine Now Streaming On Hulu

by Lauren Gitlin June 18, 2008 3:17 pm
Need A Good Cry? <i>Eternal Sunshine</i> Now Streaming On Hulu

Is there anyone on the planet who has not watched Eternal Sunshine of the Spotless Mind and sobbed copious tears and thought, "If only it were possible to erase [fill in the blank] from my mind so I could move on and have an adult relationship and accomplish menial tasks like the folding of laundry or the washing of my hair"? Well if there is, that's about to change because Hulu posted the entire movie for streaming on their site today. [Thanks to Videogum for tipping us off.] Here, in no particular order, are five reasons (out of infinity) why EsotSM is the most brilliant and beautiful and heartbreaking movie in the history of the world, like, EVER. And this is NOT hyperbole you guys, at ALL.

The Avengers: The Gang’s All Here

by Ethan Alter May 4, 2012 12:01 am
<i>The Avengers</i>: The Gang’s All Here

It's not hard to understand why people are so excited for The Avengers. For starters, its release signals the start of the annual summer blockbuster season, when audiences can look forward to four solid months of effects-heavy escapist entertainment. Secondly, for the millions of moviegoers who have followed the individual Marvel heroes through their own big-screen adventures (not to mention their own comic-book titles), the thought of Iron Man, Captain America, Thor and the Hulk sharing the same frame and battling the same common enemy (as well as each other) is pretty remarkable. And lastly, there's the fact that the Avengers are assembling under the watchful eye of writer/director Joss Whedon, at last making his leap from cult artist to mainstream moviemaker. While Whedon's name might not mean anything to a good 50-60 percent of the audience that'll show up opening weekend, there will be a significant segment of moviegoers more thrilled about seeing his name in the credits than any of the actors'. With all these various elements coming together, who can blame those viewers who are heading into the theater expecting to see the comic book movie to end all comic book movies?

Margaret: The Only Living Girl in New York

by Ethan Alter September 30, 2011 1:30 pm
<i>Margaret</i>: The Only Living Girl in New York

After a nearly six-year stint in the editing room, Kenneth Lonergan's long-delayed sophomore feature Margaret finally arrives in theaters still feeling somewhat unfinished. The version of the film that opens in (extremely) limited release today is rife with jarring tonal shifts, clunky dialogue, overly mannered performances and least a half-dozen subplots that lead nowhere. And yet despite -- or maybe, because of -- the movie's free-form messiness, it possesses a vitality that more carefully manicured studio movies, even one like last week's exceptionally well-crafted Moneyball, sometimes lack. Margaret is a movie that demands the viewer's attention and engagement throughout its sprawling two-and-a-half hour runtime, as Lonergan spins his tale without directing us as to how we should react to or feel about what's unfolding onscreen. It's only in the film's moving, but perhaps too-literal, final scene that his intentions become clear. Margaret is a music-less opera, complete with screaming matches that resemble arias and plenty of heightened emotion and melodrama played against the beautiful backdrop that is New York City.

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