Indie Snapshot: Promised Land

by Ethan Alter December 28, 2012 10:02 am
Indie Snapshot: <i>Promised Land</i>

Matt Damon gets a crash course in the dangers of fracking in Promised Land. Also, read our reviews of Amour and West of Memphis.

The Best of Prometheus, By the Book

by Daniel Manu June 11, 2012 2:26 pm
The Best of <i>Prometheus</i>, By the Book

Based on the avalanche of reviews, insightful theories, barely disguised apologias, and raging message board debates that have flooded the web since Prometheus finally opened in the U.S. this weekend, there's not much that the film's admirers and detractors can agree upon -- except perhaps this: the film is gorgeous to behold. So much so that even the most underwhelmed Alien fan may enjoy poring over the lushly illustrated Prometheus: The Art of the Film from Titan Books. Here's why it's a worthy addition to any geek's overburdened bookshelf. [Major Movie Spoilers Below]

Prometheus: It’s Lost… in Space

by Ethan Alter June 8, 2012 6:00 am
<i>Prometheus</i>: It’s <i>Lost</i>… in Space

Few collaborators have seemed better matched than the minds behind Prometheus, writer Damon Lindelof and director Ridley Scott. After all, both men are big picture guys who enjoy building worlds that viewers can lose themselves in for two hours or six seasons. In movies like Blade Runner, Legend and even the otherwise lackluster Robin Hood, Scott paints on a giant canvas, transporting audiences to the past, the future or a fantasy realm. Meanwhile, throughout the run of Lost (particularly in its early seasons), Lindelof and his co-executive producer Carlton Cuse successfully created an environment where mysteries and secrets seemed lurked around every corner and down every hatch. So unleashing these two on a tentpole sci-fi blockbuster, with an apparently limitless amount of resources and money at their disposal, sounds like a recipe for an enormous spectacle of epic proportions -- one of those films that's simply bigger than life. [Warning: Spoilers Ahead]

Trailers Without Pity: Prometheus

by Ethan Alter May 11, 2012 12:41 pm
Trailers Without Pity: <i>Prometheus</i>

Next to The Dark Knight Rises, no summer blockbuster has us more intrigued than Prometheus, Ridley Scott's belated return to the science fiction genre and the Alien franchise that rocketed his career into the stratosphere some three decades ago.

Prom Night Gets Lucky

by Alanna Slepitsky April 14, 2008 12:13 pm
<I>Prom Night</I> Gets Lucky This weekend, moviegoers resurrected the horror genre from the pits in which One Missed Call and The Eye put it in earlier this year (along with The Ruins, which is slowly deteriorating from the top ten), by making Prom Night the highest grossing movie at this week's box office (raking in just a little over $22 million), but it wasn't the only new release that made it out strong. Street Kings, a crime thriller starring a very discombobulated cast (Keanu Reeves, Forest Whitaker, Chris Evans, Cedric the Entertainer and Hugh Laurie... I kid you not) fell into the second spot with $12 million, while Smart People brought in $4.2 million, earning a spot in seventh place (that's like a C average, which is not very smart at all, but considering it was released in selected cities, it's a pretty triumphant premiere). Box office sweetheart, 21, took a fall to third place, which pushed the rest of its fellow champs down, especially George Clooney's Leatherheads (let's just hope this kills the forever mundane football genre once and for all). The biggest surprise of the week is seeing Superhero Movie and Drillbit Taylor still holding on to the top ten for dear life. (Whoever is still going to see these two movies needs to seriously reevaluate their movie choices and go see something better next week.)

The tally:
1. Prom Night, $22.7 million
2. Street Kings, $12 million
3. 21, $11 million
4. Nim's Island, $9 million
5. Leatherheads, $6.2 million
6. Dr. Seuss' Horton Hears a Who!, $6 million
7. Smart People, $4.2 million
8. The Ruins, $3.25 million
9. Superhero Movie, $3.1 million
10. Drillbit Taylor, $2 million

I Want My DVD: Tuesday, April 23, 2013

by Ethan Alter April 23, 2013 8:00 am
I Want My DVD: Tuesday, April 23, 2013

This ain't no gangster's paradise.

I Want My DVD: Tuesday, October 9, 2012

by Ethan Alter October 9, 2012 6:00 am
I Want My DVD: Tuesday, October 9, 2012

"Maybe this crystal ball can answer all the questions I have about Prometheus."

The Book of Alien: In Space, No One Can See You Read

by Daniel Manu May 29, 2012 1:35 pm
<i>The Book of Alien</i>: In Space, No One Can See You Read

After months of tantalizing teasers and trailers (and teasers for teasers and trailers for trailers) for Ridley Scott's new science-fiction film Prometheus, the unofficial (or, rather, officially unofficial) precursor to his iconic 1979 Alien is finally just over a week away from its U.S. opening. And aside from rewatching the other movies (except the dreadful, embarrassing Aliens vs. Predators and its follow-up), we can think of no better way to both pass the time and get even more pumped than by perusing The Book of Alien, released today by Titan Books. Originally published in '79 as an official tie-in to the first movie, this slim but oversized tome written by Michael Gross and Paul Scanlon eschews hyperbole for a journalistic (albeit authorized by the studio) narrative about the conception and creation of a future classic -- a status that nobody interviewed within its pages could've anticipated at the time. If you care at all about Alien, or are simply curious about Prometheus, here's why it's worth a look:

I Want My DVD: Tuesday, August 30, 2011

by Ethan Alter August 30, 2011 6:00 am
I Want My DVD: Tuesday, August 30, 2011

Oh my god you guys! Disney totally asked me to go to prom!!!

Baby Mama Wins Comedy-Heavy Weekend

by DeAnn Welker April 28, 2008 11:12 am
<i>Baby Mama</i> Wins Comedy-Heavy Weekend

It looks like most of the country trusted Tina Fey and Amy Poehler's comedy skills, and gave the terrible trailer for Baby Mama a pass, as the film raked in $18.3 million on 2,543 screens to open at No. 1 at the weekend box office. Not too far behind was Harold and Kumar Escape From Guantanamo Bay, which took in $14.6 million on 2,510 screens.

It's a big win for Tina Fey, who proved she not only can create, write, produce, and star in the funniest comedy on TV, but that she can also open a movie at the box office -- even despite lackluster reviews. Turns out it paid to be a chick flick this weekend, as two-thirds of the moviegoers who turned out to watch Fey hire childish surrogate Poehler were women, while two-thirds of those paying to see Harold and Kumar take another trip were men.



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