Monty Python's The Life of Brian was banned for a year in Norway after its release in 1979, and in Ireland for eight years. But that's nothing compared to the comedy drought suffered in Torbay. According to The Guardian, the area of England known as the English Riviera banned the movie when it was released and hasn't shown it publicly since. That is, until now. Nearly 30 years after it got the cold shoulder from Torbay, Brian will be screened as part of a comedy film festival -- and in the grounds of a former abbey, no less. Seems fitting for a movie that was once met with many protests for its "blasphemous" take on faith.

Here at the Moviefile, we have a whole category just for remakes, reboots, and "reimaginings"--and it's stuffed pretty full. From Fame to Robocop and everything in between, there's a bountiful crop of reworked properties. As "old hat" as it can be to those of us with long enough memories (or long enough Netflix queues) to remember the originals, remaking the movies of yesteryear can make good financial sense for studios. A remake from a 20- or 30-year-old property can draw in brand-new young audiences, as well as the nostalgic viewers of the originals. For example, 24 years passed before Bedtime Story was remade as Dirty Rotten Scoundrels, and now that another 20 years have passed, they're remaking the remake. But now Hammer Films and Overture Films are bucking the trend by remaking a movie that hasn't even been officially released yet. Talk about the Hammer striking while the iron is hot.

At Wednesday's Walt Disney Studios Showcase, the Mouse announced a ton of new projects, most of them starring Johnny Depp. Not only will the actor definitely be playing the Mad Hatter in director Tim Burton's motion-capture CGI Alice in Wonderland (as rumored back in July), he'll also be returning as Jack Sparrow for yet another Pirates of the Caribbean movie (that's four now, for those of you not counting at home). What are they going to call this one, Pirates of the Caribbean: The Curse of the Successful and Still Mildly Enjoyable Franchise?

TWoP writer Djb went to the Toronto International Film Festival this week and chose ten films to see out of the 300 that were playing, based on whether he thought he'd ever get the chance to see them again on the big screen. One of them was Canada's first stop-motion animation movie. One was a documentary about the world's biggest Chinese restaurant. One of them starred Jean-Claude Van Damme. And these were just the ones he liked! Check out his full report over in Mondo Extras!

If you weren't one of the people who was totally befuddled by The Fountain, then you're probably waiting with bated breath for director Darren Aronofsky's next picture. Pi and Requiem for a Dream established Aronofsky as a major talent, and his next picture -- with its combination of mainstream subject matter, amazingly talented actors and Marisa Tomei stripping -- is sure to take the country by storm. That's probably why Fox Searchlight outbid all comers at the Toronto International Film Festival for the rights to distribute The Wrestler, which only last week won the Golden Lion in Venice. (Man, I wish I had a gold lion.)

Venice is sinking, and this time the rising tides aren't to blame. This time, the decline has to do with the 65th Venice Film Festival, which, according to The Hollywood Reporter, is suffering from subpar business, high prices and a "relative lack of red carpet star power." Somewhere in the distance, Brad Pitt is saying to a journalist: "What am I? Chopped liver? I saved a kid from the canal the other day!" Or maybe he would be saying it, if he were giving interviews beyond the obligatory 30-minute press conference he and co-star George Clooney gave for the Coen brothers' Burn After Reading.

The Venice Film festival (that's the Venice in Italy, if you didn't know) is the world's oldest film festival, and it got underway yesterday for the 65th time. Emceed by Russian actress Ksenia Rappoport, known in Italy for her turn in the film The Unknown, the opening day of the fest featured an afternoon screening of Vittorio De Sica's 1948 classic The Bicycle Thief. But no one really gives a damn about any of that crap, because George Clooney and Brad Pitt were there, omigod!

So how do old franchises that haven't been in the limelight in years but have a new film coming out woo their old audiences back for one more shot at box office success? If you're the studio behind The X-Files, you throw one slam-bang, pretty seriously awesome premiere. 20th Century Fox is hosting what they're calling a Fan Celebration at the world premiere screening of The X-Files: I Want to Believe on July 23rd at Grauman's Chinese Theatre.