The How I Met Your Mother star tries to sweet-talk his Liberal Arts leading lady, Elizabeth Olsen, into playing his love interest this season. Also, our reviews of Arbitrage, Solomon Kane and two documentaries.

Cheer up, Rob. You may have lost KStew, but at least you've got a new person in your life: David Cronenberg. Also, our takes on Compliance, The Awakening and Side by Side

Laugh it up at this weekend with four indie comedies, including The Babymakers and Celeste and Jesse Forever.

Lauren Greenfield's new documentary The Queen of Versailles begins like a promo for the next big Bravo reality serial... call it, Timeshare Royalty. In this case, the subjects who are opening their lives (and their two houses) to the camera are David and Jackie Siegel, who up until recently were one of the wealthiest couples in Florida, if not the nation. David Siegel made his fortune via the timeshare titan Westgate Resorts, which offers lavish condo units to prospective part-time owners. Following two previous failed marriages, he wed former model (and diploma-carrying computer engineer) Jackie in 2000 and four years later they started construction on their dream house: a 90,000 square foot estate modeled after the Parisian palace for which it's named: Versailles.

A slow weekend at the multiplex gives you time to catch up with some of the indie features -- like Sarah Polley's Take This Waltz -- currently playing at an art house or video on demand service near you.

By far the most buzzed-about movie at this year's Sundance Film Festival (and one of the first to get snapped up for distribution), Benh Zeitlin's Beasts of the Southern Wild is an altogether striking debut feature. Filmed on location in the bayous of Southern Louisiana, the film offers a "through a child's eyes" portrait of an impoverished rural community that's tinged with fantasy yet still firmly rooted in a compelling reality.

Like an unholy cross between Melancholia and Little Miss Sunshine, Lorene Scafaria's debut feature is a quirky road comedy set against the backdrop of the looming apocalypse. This particular end-of-the-world scenario involves an enormous asteroid that will reduce Earth to a cinder when it smashes into the planet in 21 days. But it's a sign of just how deeply annoying the movie is that you long for this planet-destroying space rock to arrive in half the time so that everyone onscreen will die sooner.

Emily Blunt and Rosemarie DeWitt get their sister act on.

Their movies may disappoint, but spending time in the presence of indie film beauties Greta Gerwig and Aubrey Plaza isn't too much of a hardship.

A period comedy about the invention of the vibrator? What will those Brits think of next?