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As a fan of sci-fi and zombies in general and Milla Jovovich in particular, my view of the Resident Evil movie franchise has been one of benign ambivalence. The first was surprisingly good, but the sequels got increasingly sillier and seemed to level out profit-wise, so I assumed that the latest installment, Resident Evil: Afterlife, would be the last. But because it found a nice, empty weekend to park in, and because it was filmed in price-gouging 3-D, it managed to bring in the franchise's highest opening-weekend box office ever, which all but guarantees a sequel. Milla herself has said that her director-husband is already thinking about the fifth film, and that it will incorporate ideas taken from fans on Twitter. While that sounds disastrous all by itself, there are a number of reasons why this franchise needs to quietly fade away.
Although it's not officially confirmed yet, word on the street is that Twilight: Eclipse director David Slade will direct Wolverine 2. While Wolverine fans worldwide are probably groaning that the director of a girly vampire film may be put in charge of the rugged anti-hero, they should consider two things: 1. Eclipse was one big vampire-werewolf fight. 2. Logan and Edward Cullen have a lot in common. Check out our long list of similarities between the two.
In the latest installment of the Twilight saga, Eclipse, the characters learn of a rash of murders being committed in nearby Seattle by a gang of newborn vampires. Of course, in the world of Twilight there's a vampire police force, the Volturi, that would normally quell such a high-profile incident, but that isn't the case in every movie where vampires exist. Most of the time, it seems there is no force on Earth that can stand up to a vampire, especially when there's more than one of them. What follows are some of the deadliest vampire attacks ever recorded on film, in terms of number of humans killed/turned.
One ring to rule them all. One ring to find them. One ring to bring them all in and New Zealand to bind them. That last part seems to be the sticking point in finding a director to take over helming duties on The Hobbit, which recently lost Guillermo Del Toro due to relocation issues. Other directors are willing to make the trip -- David Dobkin (Fred Claus), Brett Ratner (Rush Hour 1-3) and David Yates (three Harry Potter films) -- but two of those directors are awful. Besides, Warner Bros. and MGM both want Peter Jackson, the original man with the plan who made the Lord of the Rings trilogy into an Oscar-winning blockbuster. Jackson is holding out, citing prior commitments, but he also doesn't want to see the movie fail, or he loses money on the deal. To help him make a decision, we've put together a list of pros and cons for why he should or shouldn't take the job.
Is genetic engineering rigidly regulated because of what we're worried the modified creatures will do to us, or what we'll do to the creatures? That may be the question Cube director Vincenzo Natali asks in his new film, Splice. Or he may simply be asking the question, "What if two kind of messed-up geneticists went off the reservation?" Because that's what happens in this film, and the situation they've created for themselves spirals out of control in a way that is frightening, sad and, at times, laugh-out-loud funny. But while some of the laughter comes from legitimately humorous moments, much of it comes from shock, as the film toes the line in several scenes then calmly strides right over it. Depending on how squeamish you are, the laughter may also manifest itself as squirming uncomfortably in your seat, and your feelings about the movie will have everything to do with whether or not that sounds like fun to you.
After 28 years, The Dark Crystal is finally getting a sequel. The Jim Henson-directed original, which frightened children everywhere in 1982 with its creepy, creepy puppets, will be followed up by The Power of the Dark Crystal, to be directed by the Spierig brothers, who also directed the zombie romp Undead and the vampire flick Daybreakers. Horror-movie directors taking on a children's movie classic? That... kinda makes sense, actually. The original movie's fans are all grown up now, so why not push the film's PG creatures farther into the realm of R-rated nightmares? In fact, why not make horror films out of all of these already-horrific kids' films? We'll even assign the directors!
It's hard to criticize a horror movie that scares the bejeezus out of you. Clearly, it's done its job. But the new A Nightmare on Elm Street manages to do so in a sleek, stylish way with a bevy of attractive actors and actresses and a bunch of sly teases to the audience, as if to say "You thought we were going to do something scary there, right? Well, we didn't. Instead we're doing it... not here. Nope. But how about HERE? Gotcha!" Knowing that something is coming is half the fun -- and all of the plot -- and Nightmare certainly doesn't disappoint.
There's been much talk and speculation about the relaunch of the Nightmare on Elm Street franchise -- it may have a lot to do with the replacement of famous Freddy Krueger portrayer Robert Englund with Jackie Earle Haley, and the new, more realistic burn makeup the character sports, but otherwise the movie is pretty similar in premise and execution. But this is not the first time Freddy has been reinvented. In 1994, his creator Wes Craven wrote and directed the seventh installment in the series, Wes Craven's New Nightmare, which not only featured new Freddy makeup, but also a new, meta look at the character that would have changed the way we looked at horror films and at movies in general... had anyone actually gone to see it. Although it was the lowest-performing entry in the franchise, and led to a ten-year hiatus, it was the first one to go out on a limb and try to do some things differently. These are just a few of those things.
Two incredibly disturbing bits of news came through this week that will leave '80s film fans disgusted and fans of modern cinema discouraged. Rather than coming up with new ideas for movies, studios have decided to greenlight two remakes of beloved '80s classics: the Kurt Russell/Goldie Hawn comedy Overboard and the kids-vs.-monsters actioner The Monster Squad. While any day when a perfectly good movie is remade is a sad one, there are a lot of extenuating circumstances at play here that make these two remakes particularly troublesome.
Cementing his love of the offbeat, Tim Burton -- along with his 9 partner Timur Bekmambetov -- has announced that he will produce a film adaptation of the just-released book Abraham Lincoln, Vampire Hunter. The screenplay will be written by the book's author, Seth Grahame-Smith, who also wrote Pride and Prejudice and Zombies, which is also being made into a movie (albeit one directed by Natalie Portman). While former presidents have been used as great comedic devices in past films, (Bill & Ted's Excellent Adventure, Dick), rarely do their biopics stray too far from the recorded histories. We'd love to see more movies like this, ones that take our favorite historical figures and have them do more exciting stuff than attend state dinners. Here are a few suggestions for former presidents.
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