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Box Office Tally, For Kids!, I Voted for GORE!, The Biz, You Know
America Loves Beverly Hills Chihuahua; We Hate AmericaIf you 've ever wondered why so much of the world hates America, we now have an answer: Beverly Hills Chihuahua held tight to its number 1 position at the box office for a second weekend in a row, despite four new movies opening in wide release. It brought in $17.5 million for a $52.5 million total after two weeks. I wanted to take solace in the fact that it opened on a lot of screens (3,218), so it 's per-screen take might not be as great as some other movies. But only one movie in the top 10 has a higher per-screen take than Chihuahua 's $5,442 per screen.
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Here's a roundup of the best stories and articles in Movies Without Pity this week:
Find out why director Guy Ritchie is the Ayatollah of ripping himself and others off with his new crime caper RocknRolla.
Bill Murray is a comic genius, but he's not a genius at picking roles that are appropriate to his level of talent. We run down the biggest wastes of his time.
Our own Mindy reviews Body of Lies. It's okay, she guesses.
Did you know they put out a 10th anniversary edition of Can't Hardly Wait on DVD? It's apparently pretty awesome. (The 20th Anniversary Beetlejuice, not so much.)
Okay, so maybe Quentin Tarantino didn't really write the original script for Sex Drive... but if he did, he'd be pissed.
Check out our complete recap of the Watchmen preview footage, then hear what director Zack Snyder and Watchmen co-creator Dave Gibbons have to say about the film.
Did you know Christian Slater is doing TV now? Apparently, Kuffs was the beginning of a bad streak. Check out what he has to say about his new show, My Own Worst Enemy.
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Director Ridley Scott's latest, a jet-setting espionage thriller set in the thick of the current Middle Eastern conflicts, is many things. Sometimes it's an action movie, sometimes it's a political movie, at times it's a workplace dramedy -- the boss/employee tension between Russell Crowe's and Leonardo DiCaprio's CIA agent characters is surprisingly relatable, with the two playing their own game of Spy vs. Spy throughout the film. It dips its toes in the waters of moral complexity, but doesn't stay there very long, and it even tries to find time to tell a love story, but doesn't stay there very long, either. The film would feel confused, but the storytelling is not directionless, per se -- more ambitious, really, and I think it tries much harder than most Hollywood films on the subject not to take a side on the issue. It opens with the W.H. Auden quote, "Those to whom evil is done do evil in return." And that's exactly what happens throughout the story. We're evil. They're evil. Our allies in the Middle East desperately trying to hold on to their wealth are evil. And the people who aren't evil are the ones who suffer most.
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