One of the side effects of Side Effects is sadness that Steven Soderbergh is now one film closer to retirement.
Forget the Schwarzenegger dud The Last Stand; the most authentic, ridiculous and overall entertaining '80s action movie throwback in theaters right now is Parker, the Taylor Hackford-directed, Jason Statham-starring big-screen version of the crime novel anti-hero created by Richard Stark (a.k.a. Donald E. Westlake). Although the character has been brought to the screen several times before -- including the 1967 classic Point Blank, starring Lee Marvin, and the compromised 1999 Mel Gibson-led Payback -- this is the first film that has been able to legally use the Parker name. And unlike those movies, it's not an adaptation of Parker's 1962 debut The Hunter, but rather a more recent installment, 2000's Flashfire (although the plot, once again, involves the character being betrayed by his fellow crooks and then embarking on a mission of revenge). But even though it takes place in the period of iPhones and Google, Hackford is very much working in the tradition of seedy Reagan-era crime pictures like John Frankenheimer's 52 Pick-Up and William Friedkin's To Live and Die in L.A.. Here are five ways in which the mostly satisfying Parker clearly loves the '80s.