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Apparently, everything we know about Robin Hood is wrong, or so Ridley Scott would have us believe. Sure, there are hundreds of different versions of the Robin Hood myth, and Scott himself recently directed a documentary on the myth's origins, but Scott's feature-film take introduces us to a completely different Robin, one with a different last name and a different path to folk-hero status. And you know what? I like this one better.
Take a classic, family-friendly film property and add a fan-favorite director, an iconic movie star and 3-D glasses, and you've apparently got a smash hit on your hands. Alice in Wonderland, the latest funhouse-mirror remake by director Tim Burton, opened to $116 million at the box office, the sixth biggest opening of all time, helping make it the biggest March opening ever in the U.S. That beats Burton's previous biggest opening, for Planet of the Apes ($68.5 million), and considering how much better this movie is than Apes, we hope it will outgross it in the long run, as well. Another $94 million from overseas placed it at number 14 on the list of biggest worldwide openings, so things are looking good there, too.
Cementing his love of the offbeat, Tim Burton -- along with his 9 partner Timur Bekmambetov -- has announced that he will produce a film adaptation of the just-released book Abraham Lincoln, Vampire Hunter. The screenplay will be written by the book's author, Seth Grahame-Smith, who also wrote Pride and Prejudice and Zombies, which is also being made into a movie (albeit one directed by Natalie Portman). While former presidents have been used as great comedic devices in past films, (Bill & Ted's Excellent Adventure, Dick), rarely do their biopics stray too far from the recorded histories. We'd love to see more movies like this, ones that take our favorite historical figures and have them do more exciting stuff than attend state dinners. Here are a few suggestions for former presidents.
It could be argued that many of Martin Scorsese's most famous characters are raving lunatics. Travis Bickle from Taxi Driver. Jake La Motta from Raging Bull. Jimmy Conway from Goodfellas. Max Cady from Cape Fear. Basically, anybody played by Robert De Niro. I kept hoping for a De Niro cameo in the prison for the criminally insane that provides the setting for Scorsese's latest movie, but alas, no. I had to make do with other cameos, namely several all-too-short appearances by the amazing cast of character actors Scorsese has assembled to populate the 1950s nightmare world he's created. The story itself is a real potboiler, as well, but the plot is less important than the look of the film and the (often brief) performances Scorsese gets from his cast, not to mention the startling fact that Max Von Sydow is still alive. How old is this guy?
Nicholas Sparks is the new Michael Crichton or John Grisham -- insofar as he's more famous for the many movies based on his books as for the books themselves. Except where Crichton wrote about science and Grisham wrote about the law, Sparks writes about schmaltz. His latest schmaltz-fest, Dear John, looks to be yet another tale in the "tragic romance" vein, which makes us wonder if there's a formula to Sparks' books, or at least to the movies based on them. We parsed the plots of his five films to date -- and his upcoming movie with Miley Cyrus -- to see what threads they had in common. (Warning: While their books have been out for a while, the write-ups of the last two films on our list contain minor spoilers, although we could figure out their plots without even seeing them.)
Perhaps the most pleasantly surprising thing about Guy Ritchie's Sherlock Homes is that it is by no means an origin story. Considering that there have been over a hundred Holmes films made since the start of the century, making this reboot an origin tale would have been a waste of film anyway -- especially when the excellent Young Sherlock Holmes already exists. But equally surprising is the fact that we are joining the characters of Sherlock Holmes (Robert Downey Jr.) and John Watson (Jude Law) at the end of their partnership, when they already have a legacy of cases behind them, and the two are headed in different directions. The fact that Ritchie makes this "end-of-an-era" tale work for fans and laymen alike is a testament to the film's accessibility and to Holmes' enduring legacy.
Look out, San Diego Comic-Con -- this past weekend, Disney held their own convention in Anaheim, and it had more Disney-related celebrity panels and announcements than you could shake a stick at. While a lot of the show was simply fan service -- merchandise, collectible pins, a look at new theme parks and attractions in the works, a Miley Cyrus concert -- there were actually a lot of great announcements about upcoming movies, and we thought we'd run down some of the bigger ones below.
Man we love Amy Adams. Is there nothing she can't do? No role she can't play? Enchanted princess, reserved nun, Amelia Earhart? It sure doesn't seem like it. We bet she could have even played chef Julia Child in Julie and Julia, but the casting of Meryl Streep is just too perfect. And we're just as happy to see Adams as Julie, the modern-day woman who tries to cook her way through the entire Julia Child cookbook. To see the other movies that Adams has made better through her presence, check out our highly scientific Guide to Amy Adams Being Awesome.
It's official -- Rachelle Lefevre is out as Victoria in the third Twilight movie, Eclipse, and Bryce Dallas Howard (Terminator Salvation, The Village) is in. Supposedly, it's due to a "scheduling conflict," but could it simply be that the producers wanted a better, more famous actress in the role? They're not alone. We think that a lot of actors in the cast could stand to be upgraded, so we went through and re-cast the entire thing in our Re-Casting Wish List. Click the link, and tell us you don't think that would be a better movie.
Movies based on children's books by Dr. Seuss have done very well in Hollywood. How the Grinch Stole Christmas was a Jim Carrey blockbuster in 2000, as was the animated Horton Hears a Who in 2008. Mike Myers' The Cat in the Hat, on the other hand... well, two successful movies out of three ain't bad. But now that the news has broken that Universal will be releasing a 3D animated movie based on ecological parable The Lorax in 2012, one has to wonder how many movies ol' Theodor Geisel's oeuvre has left to give us. We looked over his body of work and called out some of the most marketable titles. Expect to see one or more of these in theatres by 2015.
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