When Bryan Singer left the X-Men film franchise to film the reboot of the Superman, comic fans were torn: on the one hand, he was leaving the characters he'd knocked out of the park twice already, in X-Men and X2: X-Men United, but on the other hand he was hopefully going to make Superman cool again. It's a win-win! Well, cut to a few years later, and it's a lose-lose: the retro throwback Superman Returns is underperforming at the box office and Brett Ratner's X-Men: The Last Stand is underperforming in fans' expectations. With Superman in line to get another, more reboot-y reboot, Singer is no longer involved, and is now talking to Fox about rejoining the X-Men franchise. While a small part of us would love to see a proper sequel to the first two decent X-Men movies, we mostly want him to stay far, far away. Here's why.

Scary monsters. Super creeps. Sienna Miller. All are represented in this week's new movies on DVD, as wolverines, wolfmen, zombies and overrated actresses stalk the moors. And by moors, we mean Best Buy.

It looks like Disney's purchase of Marvel Entertainment has lit a fire under Fox. After all, they own the film rights to the Fantastic Four, the X-Men, Silver Surfer and Daredevil for as long as they continue to make movies. So, now that it's been two years since the last FF movie, they're getting ready to reboot the franchise. Frankly, I'm glad. The first film was good, clean kiddie fun (except for the fact that Jessica Alba kept taking her clothes off), but the second was boring, had Mr. Fantastic stretch-dancing and managed to make Marvel's biggest (literally) villain look like a rain cloud. Fox wouldn't say what they're doing, or even if they hope to bring back the serviceable original cast, but I hope they announce reboots of the rest of their Marvel properties (and Sony's, while they're at it), because, frankly, they all need it.

Today, the news broke that Disney has bought Marvel Entertainment, lock stock and barrel, for $4 billion. That includes Marvel Comics, with over 5,000 characters, and Marvel Studios, with the successful Iron Man and Hulk film franchises, plus the upcoming Thor, Captain America and The Avengers. It seems like it's a win-win scenario -- Disney gets a boys' brand to bookend the Disney Princesses, and Marvel gets some global multimedia clout -- but what does this really mean for our beloved Marvel superheroes? As fans, these are just a few things we're worried and/or excited about.

I've figured out what it is about Stephen Sommers' movies that I absolutely despise. It's the fact that at no point in any of his films do I feel like any of what I'm watching is real. And it's not the mummies and the vampires and Sienna Miller's cleavage that make me think that -- it's the way the actors talk to each other, the way the music never stops, and the way that at no point does any character close his mouth. Every last moment is filled with dialogue, which isn't how the world works, and the constant music fills in any scenes they accidentally forgot to record dialogue for. At least Michael Bay had one or two scenes in Transformers: Revenge of the Fallen with no music or no dialogue, and it seemed to be entirely on purpose. Meanwhile, Sommers has actually made a movie that may be worse than Van Helsing, which is saying something. Specifically, it's saying that there is no slam-dunk movie idea that Sommers cannot ruin, or at least make enjoyable only by slightly dim children.

Here at MWoP, we've been taking a "wait-and-see-but-don't-hold-your-breath" approach to the G.I. Joe live-action movie. Early on, the visual disparities from the cartoon were pretty jarring, but then, so were the X-Men movie costumes, and that worked out okay. (I'll leave the Transformers movie designs aside, since A. I still don't like them and B. the movies were successful in spite of them, making my opinion moot.) But when the commercials and action scenes started showing up -- including performance-enhancing accelerator suits, which were never part of the G.I. Joe mythos until very recently -- we started to worry a bit more. And now they've declined to screen the movie for the press. But given the fact that negative buzz got so bad at one point that director Stephen Sommers (Van Helsing) was rumored to have been fired, that may be a wise choice. Regardless, it seems there may be nothing to worry about.

Director Ridley Scott recently announced that he was about to begin work on a prequel to one of his most popular films, the sci-fi/horror/genre-defining movie Alien. While we can't deny that we'd love to see a good Alien movie, a prequel seems like the wrong way to go, since Sigourney Weaver's Ripley, the fan-favorite character from the series, couldn't be in it, and to show where exactly the xenomorphs come from would take all of the mystery out of them. We came up with a list of genre films that need prequels -- good ones -- more than Alien does, starting with another Ridley Scott film...

There is very little that could be done to make me (or most people) worry about Iron Man 2. The first movie was so good, and so fun, that the second would have to be good, right? Unfortunately, it has to be good. It has to be better than the first, in fact, or people will be disappointed. It has to bring something new to the table. Luckily, director Jon Favreau and star Robert Downey Jr. seem to realize that, and they brought their A-game to the San Diego Comic-Con this past weekend. The footage they showed isn't online yet, but the descriptions of it dazzle the imagination. Here are ten things I learned from the Iron Man panel at SDCC that have gotten me even more excited to see it.

What a difference a year makes. Around this time in 2008, geeks were buzzing about the Watchmen teaser trailer and the exclusive footage presented by director Zack Snyder and the complete cast at San Diego Comic-Con. This was going to be the superhero movie that would Change. Superhero. Movies. Forever. Now, on the eve of another SDCC, the director's cut of the film has just been released on DVD in a decidedly different atmosphere -- one in which Watchmen is considered not only a box-office failure (despite being the second highest-grossing R-rated release of the year so far) but also a huge disappointment to large pockets of its core audience, nerds who have been message-board screaming their displeasure like an abattoir full of retarded children (sorry, couldn't resist).

Finally, the literary adaptation we've waited years for! The fantastic imagery! The unspeakable terror! The parallels to our own world! That's right, I Now Pronounce You Chuck and Larry is finally out on Blu-Ray! The long, hard, gay-innuendo-filled wait is over! Also, some other stuff came out.