MONDO EXTRAS

But the next scene clears that right up, as RevCam is throwing a Paul-shaped bundle overboard. The bundle hits the water and floats. Maybe RevCam should have considered putting a weight or two in that bundle. RevCam rips up the printed sex pictures and throws them into the water. They float too. I don't think RevCam really thought this through enough. Neither did the writer of this movie, who just spent all that time and all those scenes establishing the character of Paul and his search for what happened to Sally, only to have him die without being at all effective.

Back at the Mansion, Felicity is snoozing in RevCam's bed. "Wake up, sleepyhead," RevCam says, running a finger down her cheek. Oh, see, it's like what he did to Paul, except different. I'm not quite sure what the symbolism is, but I'm sure it's there. RevCam gives her the diamond necklace she was trying on before and says that this is his way of saying he loves her. Jan Hammer pushes the "ominous twinkly music" button. Oh, no, now RevCam and Felicity are kissing. And he's unbuttoning her shirt and running his finger down her chest. Please stop, RevCam. Thankfully, the camera pans away from them to The Most Awkwardly Posed Family Portrait Ever, thus sparing me from having to see any more. I do have to hear the kissing sounds, though, and this is one time that I wish Jan Hammer's music was as loud and overbearing as it was in every other scene.

It's the next morning. RevCam is standing on a sand dune by the beach. A dog runs away from a tiny beach house, and its owner runs after it. RevCam watches. The scene ends. I think the dog's owner was supposed to be Clair (wearing a sensible sweat suit), but I couldn't really see her face and she was only shown for a few seconds anyway. I'm not sure what that scene was about. Is RevCam so evil that he makes dogs run away from their owners?