Sister Jude is in her office, praying for the strength to be able to rescue Mary Eunice's soul. But when the door opens, it's not her demon-possessed protégé who enters, but a nightmare of her past: Leigh Emerson. Santa suit and all. "I'm here to open my present," he declares joyfully. Way too joyfully.
Outside the office, Devil Eunice locks the door. Tight. (Somehow I doubt Sister Jude and Leigh are about to have a kiki, though. Wouldn't it be fantastic if they did?) We see that Eunice is joined by a very complicit Dr. Arden. "I trust now my loyalty is no longer in question?" he asks her. Evil! Wicked! No mercy for him when the aliens come to lay waste to this whole corrupt institution! (Inside, Sister Jude informs Leigh that a kiki is a party for calming all your nerves.)
After the break, with a haunting piano playing "Carol of the Bells" on the soundtrack, Leigh greets Sister Jude with a sinister "Ho Ho Ho." She rattles at the locked door and calls for help while he fondles the letter opener on the desk. He informs her that that "sexy little nun" really does seem to have it out for her, like, Sister Jude is well aware, friend. He accuses Jude of leaving him in the hole to rot, and she's like, "Well, you're out now, so all's well that ends well! Hey, wanna pray?" He does not. Instead, he starts talking about his incredibly violent and sexual intentions towards her, and it's really too creepy to get into. Trust that McShane delivers these lines with gusto and grime. He punches at her while she screams for help, and outside, Devil Eunice can barely suppress a giant smile. She smirks at Arden and assumes this offends his "delicate sensibilities." But he just says he finds it all "rather tedious" and asks to excuse himself.
Giving that scene competition for more predatory is Dr. Thredson bearing down on Lana. He tells her the details of her car accident were in all the papers, characterized as an escaped mental patient being returned to her rightful asylum. He tells her that since she left, he's been "in mourning." She made him kill Bloody Face, after all. Made him dispose of all the evidence of him from his house. (R.I.P. Nipple Lamp. I think I'll miss you most of all.) Lana defiantly (if, you know, stupidly) tells him that she's still a witness to his depravity. Of course, he says, she's totally unreliable, what with taking up residence in the loony bin and all. He was going to just leave it at that, but he says that she betrayed him. "You made me give you my intimacy," he says, grossly, and for that she must pay. He rambles on a bit more about being adrift since she left him, only now he realizes that he was a phoenix all along, and blah blah blah. Get busy killing or get busy shutting the fuck up, Ollie. He finally declares his intention for Lana's skin to be the start of a whole new Bloody Face, at which point she starts screaming again. He goes to drag her out, but he opens the door to a clanging blow from Kit. Every door in this place has a person waiting behind it with a weapon. It's in the charter.