PAGE_CONTENT
An attack of hyperactive praise from the judges, crappy sound and a really off-key backup singer make hash of the first three performances; Ryan calls the insanely dressed Randy Jackson "unpopular," says the word "bitch" to Paula, and bitterly tells Blake that sometimes, Simon lies; Hot Mess Paula starts the night tripping over her dog and getting an emergency nose job, and ends it screaming at Blake and telling him how much she loves him...until DAUGHTRY takes the stage, for a concert appearance we'll hopefully never, ever see. Randy is, by the way, dressed like a civil war happening in the Rhythm Nation; also notable: Marlee Matlin is in the audience.
Round One: "You Give Love A Bad Name" versus Jordin's choice, "Fighter" by Xtina. Blake's somewhat fatigued performance is still aggressively weird, but especially off-putting with the sound issues that plague the show's first half-hour; Jordin pulls off a surprisingly deft and powerful "Fighter," given she's too young to even spell the word "adversity." Clothing-wise, Blake looks fantastic in a Chris R-ish jacket and hoodie, while Jordin is shockingly enough wearing a dress over pants. First round goes to Jordin completely, not least because of the nice arc you get from her redeeming her previous Bon Jovi misfortunes with a rock-adjacent tune. Turns out one of the many emotions she can manufacture is rage. Simon gives the round to Blake, but I heard he lies.
Round Two: Blake's choice, "She Will Be Loved" v. "A Broken Wing." Blake is simultaneously pensive, smarmy, sexy, and argyled out to here, but his voice is not quite as limber as he seems to think it is. Also, the song itself is missable. "Broken Wing" is exactly the same as it always is, although Simon calls Jordin's performance "shrieky." It's not, it's exactly as solid as one might predict, but altogether Round Two is pretty anticlimactic. Which is sad, because Round Three is the coronation song, which sucks less than usual but still sucks. Jordin's emoting goes to a nervous school-play place, but her vocals are an easy match for Blake's wandering-troubadour pinstriped vibe. Round Two goes to Jordin, who is wearing...a different dress over different pants.
Round Three: "This Is My Now," a song about forgetting the hardships you've not actually undergone in order to revel in your personal Now. Blake's Now seems mainly to consist of bouncing and flailing around, rabidly sincere faces, and neon arrows pointing at his biceps and crotch. It's a passable performance but not the song for him, and he's not confident enough to fool you otherwise. Jordin's Now consists of powering through the song as though it were written for her, then breaking down adorably in the last few seconds like a good little winner always does.
Should Win: Jordin Sparks, damn her.
Will Win: Jordin Sparks, bless her heart.
Want more? The full recap starts right below!
One hundred thousand hopes dashed, and now it's all happening: girl versus guy versus machine. One last chance to vote, one last episode full of pointless filler and one hell of a crappy coronation song. This is the night, this is the audience, this is...the death of culture." I'm paraphrasing. But in the audience there is much cheering and Pounding of Dawgs, and into the Kodak we are welcomed one penultimate time. Other boy/girl fights are mentioned: From Justin to Kelly and on into Bo and Carrie, Taylor and "Kat," and now all of a sudden we got Blake and Jordin. My favorite things. Randy Jackson is dressed like Sergeant Pepper on a bender, bejeweled and bechained and bespoke and befoolish. Paula's hair and outfit once again jostle at the Wearstler elbow, and inside her head it's just a parade of trumpeting crazy. Simon looks exactly the same as he always has and always will: like the swinger cokehead manager at a particularly tony restaurant with $15 martinis and everyone on the waitstaff is five foot even, so they appear to scurry. Ryan calls him "Simon Cleavage," hilariously not, and Paula traces one creepy finger along his low-rise t-shirt and then won't let go of his hand. If the shirt's getting attention, she's on it. Ryan asks what happened, and the short version is, she tripped last night on a Chihuahua named Tulip and busted her nose -- this is not of my invention -- then got crazy fast plastic surgery and now looks exactly the same as she did before. She goes, "Simon says the new nose is sexier," all twisting the knife, and you know Seacrest ain't having it: "So the bitch is okay, we got it." Now, normally I'd say this is Ryan being awkward at an inconvenient time, but no: you mess with the bull, you get the gelled-up, well-manicured, bitchy little horns. Don't insert yourself into that mess, Paula, no matter how many cameras are pointed at it. Simon and Randy are like whoa, but you can't hide the tiny little smile on Simon's face. This has got to be American Idol: the bitterness, the free-flowing alcohol and pretense that everything is normal, that added soupçon of barely contained gay rage mean it's either AI, or Thanksgiving dinner Chez Clifton. And we're months from the holidays! "It's ironic," says Ryan, understating as all get out, "that the town to get press for all the wrong reasons is now famous for the right reasons!" This doesn't make a hell of a lot of sense because the world still doesn't hate Seattle as much as I do, so we must infer he's talking about the tiny little square foot world of this show, in which at some point Seattle did something foul to Ryan Seacrest.