Aaaaaand we have finally reached the point in the season where all the freaks come out to play! But first, tensions are running high in the house., and this time it has nothing to do with stealing food or a lack of respeito. Rather, we once again learn that European immigrants are at a distinct disadvantage in U.S. culture, at least according to Marjorie and a suddenly European-er Elina. The rest of the girls, minus Marjorie’s girlfriend Analeigh, aren’t having it, and when Sheena confronts the two, they get into a bit of a spat. But it’s nothing a little twirling won’t solve! Yes, we see the return of the Swirl Twins, who teach the girls how to work with accessories. This is all a prelude to the return of James St. James, who we first see in a neon green spandex bodysuit, which is exactly how he appears to me in all of my nightmares. He introduces the girls to their challenge. They’ll have to wear a similar neon green bodysuit, which turns invisible through the magic of TV. The idea is that we’ll get to see the clothes in motion, but not the actual model who is doing all the twirling and swirling. The designer for this challenge may actually be wearing a prosthetic forehead. I tell you, it’s kind of a surreal episode. In any case, despite an early near-panic attack at having green spandex on her face, Elina knows how to work a bell sleeve and wins the challenge. Most of the others don’t fare so well -- particularly Majorie, whose dress falls down without her knowing. Her reaction to the situation is very European. But no matter, Elina picks her and Analeigh to share in her Seventeen photo shoot prize.
In lieu of a photo shoot this week, the girls have to film a commercial for some sort of Cover Girl eye shadow. They are introduced to Cycle 10 winner Whitney, who doesn’t do much other than live up to her reputation as the 21st century Blair Warner. Joslyn is sick in a very vomity way for the shoot, but manages to pull it together and get through it. Elina can’t seem to lose her control issues, McKey is dull, and Marjorie fidgets like a chicken throughout. Sam does a decent job, but it’s Sheena and Analeigh particularly who get the most kudos for the week. At panel, Tyra announces to the girls that they will be heading to Amsterdam, and then things get all crazy and Fellini-esque, because Amsterdam is about blonde braids and windmills and drugs. Everyone is excited until Tyra gleefully reminds them that one of them won’t actually get to go on the trip. Control freak Elina and the getting-worse-by-the-minute Joslyn wind up in the bottom two, and Tyra totally fakes them both out before announcing that it’s Joslyn who will go home. Let’s hope she at least got a lifetime supply of turquoise eye shadow.
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Want more? The full recap starts right below!
Previously on ANTM: Tyra taught the girls how to work their signature poses, and Marjorie made everyone sing "Baby Got (Hunch)Back." Lauren Brie failed in the week's award-show-themed photo shoot and was sent home. Seven bitches remain!
As the girls head home from judging in their limo, Sheena laments the fact that the judges don't think she's modelesque. Someone yells at her to prove them wrong. Sheena interviews that being in the bottom two is nerve-wracking, and this week she has to bring it. Every time Sheena says anything I am reminded of Maria, the little girl whom I mentor, who upon decking out some sort of Barbie-typed paper doll, yelled out, "My girl looks bangin', okay?" She could for sure grow up to be a sassy wannabe model. Elina, meanwhile, talks to Marjorie and complains that Tyra told her that she still wasn't letting go, even when she cried one tear and her heart grew ten sizes that day. Marjorie sympathizes, saying that such a thing is really hard to hear when your Teflon soul moved three centimeters to the left. Elina pauses for a moment, then says, "God, it's even getting to me right now!" and sheds ANOTHER TEAR! Miraculous. Elina interviews that it's frustrating when the judges say she's not open. And then, the kicker. She adds that the reason why she might be a little more reserved is because she's from Europe, and Europeans have a different way of approaching certain situations. Would someone from Europe like to speak up and tell me why you all are so dead inside?
Back in the limo, Elina says that unless you're from Europe you won't understand. Marjorie adds that every time she cried she was instantly told to shut up. Uhhhhh....huh I think that these two might blame their manners of being less on Europe and more on their weird-ass fucking parents. My parents only told me to shut up when I sang commercials for album compilations verbatim at the dinner table. Joslyn represents all of us when she rolls her eyes as Marjorie and Elina say that it's hard to be understood in the U.S. Okay, what about Roberto Benigni? He seemed awfully expressive! And Marcel Marceau? He expressed all human emotions through creepy-ass clown makeup alone! Marjorie interviews that she definitely understands where Elina's coming from, and that they have a commonality because they're both European. Sam asks the two of them if it is, in fact, true that they came to the U.S. when they were eight and thus have had eleven years to adapt. Elina acts like it's the stupidest question she's ever heard in her life and then spits out, "Do you understand how hurtful that is? As if I haven't dealt with this my whole life? Living here?" She looks like a dragon lady right now. A dead-inside, European dragon lady wearing a beret atop her stank red weave. Oh, and then she cries another tear. WE GET IT.
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