Sam and McKey meet their designer, Edwin Oudshoorn, and see his tailoring shop. Edwin wants McKey and Sam to be like little dolls in a dollhouse. If Elina got Edwin as her designer, I'm sure she'd say that she wants to live in a dollhouse forever because it reminds her so much of Ukraine. Edwin explains how all the whoring worked back when his studio was still a brothel. Sam tells us that to her selling women in windows is degrading. She feels good that she is selling clothes in the window instead of her body. Eh, six of one. Analeigh and Elina go to Jan Taminiau's studio. Analeigh tells us that prostitutes sell their wares in windows, and the models will be modeling in the very same windows where prostitutes once sold their wares, and that it's all very controversial. Jan's vision for the window is romantic gowns that can be turned into jackets so a woman can sit on a bicycle or a moped. And then she can pedal that bicycle or moped in her six-inch platform heels. It's all very practical, you know. Elina thinks that she and Analeigh are going to be awesome. Meanwhile, Marjorie and Sheena head to Bas Kosters' studio. He describes his designs as "out there" and "expressive." Sheena tells us that her first impression was, "Yo, this dude is cool!" As they put on makeup, Sheena tells Marjorie to let go when she poses and not be too pretty. To underscore her point, she puts a beauty mark made of eyeliner on Marjorie's chin.