Ann's photo is first, and someone stands above her with a parasol as she chills in the grass in, like, a nightgown. She says that it would be really weird to see herself in a magazine, but awesome nonetheless. She'd be proud. Really really really really really really really proud. Ann then stands in the water in another dress. She says that she's having a lot of fun on her shoot, even though it's hard to see through the bugs. And boy, are there bugs. Vincento tells her to think of the bugs as fans. Ann cracks up as the makeup lady picks a gnat out of her eye. Vincento tells us that Ann is definitely more like a fashion model or studio girl. She's very couture, and very high-end.
Chelsey's shoot is next, and she poses in the grass with subdued vigor. She says that it's very important for her to stand out to the photographer, especially considering how good Ann's pictures are. Chelsey wants to prove herself. Vincento says that Chelsey just works. She looks good, she's very comfortable in front of the camera, and has something that the camera likes. His comments really capture them, I think -- Chelsey's like the hard-working ant to Ann's naturally fabulous dragonfly. Does someone store up food for the winter in this parable? Maybe Tyra.
The girls head home to find Tyra Mail: "Real high-fashion models know how to commercialize their careers. Love, Tyra." Both figure out quickly that it's commercial time. Chelsey is very excited to get to all things Cover Girl, where she might stand a chance. Ann notes the odd occurrence that no envelope with a script came with the Tyra Mail. She wonders if they're going to have to learn Italian on the spot, or something similarly horrible. Chelsey reminds us that there's no room for mistakes as we head to commercials.
When we return, Ann pulls toast out of a crazy Italian toaster. It has a little toast cage! That's the most exciting thing that happens in this episode, I will tell you, until the very end. Chelsey curls her lashes, and then girls are shuttled off in their van to a beautiful little town. Jay meets them and tells them that they're in Orta San Giulio, which will be the backdrop for their Cover Girl commercial and print ad. He tells them not to let the beautiful scenery out-charm them. What could possibly be more charming than the connect-the-dots pimples on Ann's chin? I'm guessing she's not a girl who usually wears a lot of makeup, so her skin has taken a beating over the past several weeks. It's just one more way that Tyra Banks ruins lives. Jay then drops the welcome bomb that the girls won't have to memorize any lines today. They're going to shoot this like a real commercial, which means that the audio is laid over top. So, while one girl shoots her print ad later in the day, the other will do a voice-over with Jay.