At the dockyards, Dinah wants to know why she doesn't get "cool jewelry" like Huntress does. Barbara tells her the "cool jewelry" costs more than a new Ferrari and doesn't transmit 3D images in infrared, like Dinah's funky glasses, which she puts on. They glow green with a red laser shooting out of the left eye. Back at the Clocktower, the images, despite being only transmitted from the direction Dinah's looking, are displayed in a column completely encircling Barbara. I guess it does look kind of cool.

Helena leaps from just off-camera onto the grounds of a large estate, accompanied by that stupid bobcat snarl again. I don't get that. Is that supposed to be her snarling? Whatever the case, they should lose it. She sneaks up to a window. Looking in, she sees Ketterly and tells Oracle he's home alone. I'm curious as to how she knows that, since she only looked in one window of this big house.

Back at the dockyards, Dinah is looking around the rubble and says it looks like no one's been there in years. "No, not since…" says Oracle, but she catches herself and just says it's been a really long time. She spots something off to the side and instructs Dinah to check out a nook. Or it might have been a cranny.

Meanwhile, back at the Ketterly compound, Huntress can no longer see the dude. "I've lost visual," she says, which I think means "I can't see him." Okay, let's recap: She fails to notice corpse hanging directly in front of her, she allows non-metahuman cop to get the drop on her, she can't track guy in a well-lit house. Am I nuts, or is she possibly the worst hunter ever? Oracle orders her to find the dude, so Huntress goes to the front door. I'm assuming the reason she does this is so the director can shoot her reflection in the big brass doorknob. But before she opens the door, it's opened from the inside by Ketterly, who's holding a baseball bat. "Helena?" he gasps. Whoops! So much for the secret identity!