With a tranquil lake in the background, she begins, "I lived my life in shadow / Never the sun on my face." She thought that was her place, but now her whole life has changed; Willow has bathed her in light, set her free, and brought her out of her shell. So many metaphors, so little time. She likens the process to magic: "I'm under your spell / Nothing I can do / You just took my soul with you." They walk hand-in-hand, smiling, and then Tara spins away to a sunny patch on the shore of the lake. She continues to sing and dances a few steps, backed by two random women. Amber Benson has a very pretty voice, but her dancing is a little, well, clunky. I can buy that for the Tara character, though. "You made me believe," she continues as she and Willow spin arm-in-arm. The background changes, and they are in their room at the Summers house. They both sit on the bed and share suggestive glances. "The moon to the tide / I can feel you inside," smiles Tara, "I'm under your spell / Surging like the sea / Drawn to you so helplessly." Damn, this is pretty racy stuff. In a poetic way, of course. And it just gets racier when Tara lies back on the bed and Willow lies on top of her. Then Willow backs completely out of the frame, and I don't think she went to get a drink of water or a good book because the next lines Tara sings are, "Lost in ecstasy / Spread beneath my willow tree / You make me com -- plete." She then levitates off the bed. The lyrics are masterfully done and incredibly subversive, I think. Impressive in all but two regards -- Tara's completely stiff body as she levitates, and the fact that her skirt is still obviously, um, in place. I don't want to be crude, but I was very distracted by thinking that, except for the levitating, she looked more like a person strapped uncomfortably to a board than a person receiving that kind of ecstasy. And then we have...