Then we're inside with Chuck and Morgan, who seem to have packed up Morgan's stuff and are leaving. Morgan tells Chuck to say goodbye forever, and that they had some good years here. Chuck says he'd rather forget it all ever happened. Sarah cuts them off, and Morgan says he'll give them some time and will see Chuck back at his place. Sarah extends her hand and says she wanted to say a proper goodbye. They shake hands and Chuck says it's been a pleasure working with her. She agrees, "Agent Bartowski," but he says that's nice of her, but they both know he's not an agent. She sees a guy come up with a gun as he tries to talk to Sarah. She tries to stop him, but can't manage it before Javier knocks Chuck out from behind.
When chuck wakes up, he's in a dirty cell somewhere. Javier comes in, and Chuck calls him Javier. He says they got off on the wrong foot (literally), and his kicking him was completely unintentional. Javier wants to know who Chuck is, but Chuck says he's nobody and probably even has documentation somewhere that proves that. Javier takes his shirt off, and is very ripped, which Chuck comments on. Javier tells him to try again what he did outside the club. Javier hits Chuck a few times, and then tells Chuck he's going to tell him everything he knows: who he works for, and about the girl. Chuck passes out, and as he does so, he remembers Sarah telling him where to meet her at the train station. Then he's showing up there, where she's waiting. He's in black pants and long black coat, looking very much like the agent he'll never be but always was. Sarah has a passport and everything else for him. She tells him to trust her; it's all going to work out fine. He tries to stop her and tell her something. She kisses him, but stops when he doesn't really kiss back. She says it wasn't the kiss she was expecting. He tells her there's a whole facility here designed to turn him into Intersect 2.0, and that this is a life of adventure, blah, blah, blah, spycakes. She says it's not that simple, and he doesn't know who he's working for (huh?), that nothing is real. She holds his hand and says this is simple and a real life. She says they have to go, this is it, is he coming. He lets go of her hand, but tenderly touches it as he says he can't. He's sorry. He wakes up in his cell saying he's sorry.
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