At Al's wake, Gabby comforts the widow as a transparent subterfuge to find out where Al's files are now. Whereupon she ends up in the garage, surrounded by stacks of boxes not unlike that scene at the end of Raiders of the Lost Ark. She ransacks the place for a while, then spots a box marked "Current Accounts M-Z at the bottom of a stack. Hauling it out, she accidentally hits the button for the garage door opener, revealing herself to the family and pallbearers loading the coffin into the hearse immediately outside. So in an attempt to cover, she throws a huge, fake grief-hissy. I don't think it works.

Bree and Orson have invited Walter over to Susan's for dinner, sending Susan and Julie excitedly upstairs with dinner trays to eat in their rooms. Which is nice. They're also planning to set up Walter with Andrew, which is less nice.

Dylan finds Adam in the guest room of the Mayfair house, packing. Adam explains without explaining, and Dylan's pissed that Katherine has won once again. She storms out. Adam bends down to pick up the rolled-up pair of socks Dylan threw, and in so doing, he finds the crumpled up note that Aunt Lily wrote and dropped way back in 2007. Because Katherine is just that sloppy a housekeeper.

At the dinner party, Andrew has figured out Bree's agenda. Which is not surprising, since Bree's agenda is visible from space. After he drags Bree into the kitchen with him, he demands, "You're pimping me out for a new roof?" "And windows!" Bree corrects. Besides, she doesn't actually want Andrew to have sex with the guy; just get his hopes up. "I've done it all my life," she breezes. Andrew agrees to flirt with Walter, in exchange for a 60-inch flat screen. Bree agrees, and she's willing to throw in surround sound if Andrew can get Walter in on time and under budget. I'm so glad these two have worked out their issues and can function as a normal mother and son at last.