...leading a blindfolded Terri into their apartment complex's garage, where he presents her with...a crapped-out 1980s-era wood-paneled minivan? Ah, it's his gift to her, for the baby, as you cannot install a car seat in a shitty little crapped-out Corvette. Terri's touched. In the head, of course, but we knew that already. Next!

McKinley High Hallway. Finn and Quinn kiss and make up. Well, actually, they make up first, and then they hug, and then they float off towards their next class on a cloud of bliss that may or may not be boob-related without any kissing at all because...oh, I don't give a shit at this point. Both Rachel and The Fashion-Forward Hitler Youth -- yes, he's wearing Those Boots again -- watch them drift away as a sad -- nay, a veritable lachrymose piano tinkles away in the background, Rachel and Horst Wessel acknowledge each other (and, in doing so, acknowledge each other's pain, of course) before the bell rings, kicking us over to...

...Sue Sylvester's office, where Will ducks his meek yet untrustworthy curls through the door to ask if Sue has a moment. She does, so he enters, and long story short, he passes her a copy of the revised set list. It contains "Proud Mary," a song to be revealed later in this episode, and a song to be revealed even later in this episode, which -- get this -- Sue Sylvester doesn't recognize, even though it's goddamned "True Colors" by Cyndi Frigging Lauper, and ooops! Spoiler! In any event, the goal with this latest song selection after all of the hair-flipping nonsense this wasted episode wasted so much time presenting to us is simplicity, as Will finally understands that the more show-bizzy numbers don't really play to his kids' strengths. Or something like that. Of course, barely an instant passes before Sue's summoned International Recording Star Miss Oddly Accented Wig and Half-Deaf Guy to her lair, where she shows them the set list -- it's "Proud Mary," "Don't Stop Believing," and "True Colors" -- and suggests they divvy up the first two songs between their respective choirs, after which she'll ensure McKinley performs last at Sectionals, thereby giving the appearance that McKinley poached its routines from Jane Addams and Haverbrook, rather than the other way around. International Recording Star Miss Oddly Accented Wig and Half-Deaf Guy initially object strenuously to Sue's proposed strategy, but the scene ends ambiguously, as Sue's ultimate argument -- "Don't let anything distract you from winning!" -- seems to sway them. Um. DUN!? Yeah, I'm pretty sure that was a DUN!