MONDO EXTRAS

Melrose Place: "The Bitch Is Back"

by Jessica October 1, 2005
Melrose Place: “The Bitch Is Back”

Beach house. Michael awakes as Sydney kisses him. He whacks her on the head to get her off him, and she chuckles, blissfully unaware that he seems a little on edge. He is totally dismissive of her as he gets out of bed and heads into the kitchen. He looks around the living room in the harsh light of day, and then turns and goes back to Sydney. She tries to get all kissy-face with him, but he's not interested in either her kissies or her faces. Michael announces that he's got a meeting and needs to go, and so he slams the bathroom door in Sydney's face. She pouts.

D&D Advertising. Amanda is talking to whatshisname, whom I think of as Tony Marchette from 90210, the mob boss who allegedly ordered the hit on Dylan McKay's dad, although of course we later found out that Jack McKay's death was faked so that he could enter the witness protection program, which made it all the sadder that Dylan had so much angst about marrying the daughter of said mob boss, especially when said daughter was gunned down in a tragic actual hit gone wrong. The Tony Marchette on this show, however, will come to an entirely different sad end when Amanda basically talks him into killing himself so that she can take over the business. Right now, though, he's mad because the "owner and CEO of Models Inc." is really pissed about Amanda firing Simpering Sarah the day before. "This isn't Woodward Advertising! This is D&D! And I make the rules," Tony tells her. Not for long, buddy. Not for long. Amanda shifts her weight and tells him that Models Inc. has shitty models. "That's crap and you know it!" snaps Tony. "I ran a records check, and you've effectively blackballed Models Inc.! They've demanded an apology and you're gonna give it to them!" Amanda agrees to start hiring models from the agency, but she would really rather not apologize. Tony Marchette waves his finger in her face and tells her that she WILL apologize and she WILL do it in person and there WILL be groveling and he WILL fire her if it happens again. And he WILL regret this when she manages to engineer his suicide. Amanda crankily agrees.

Michael shows up at the hospital and finds Kimberly at her old locker. She greets him cheerfully. "I've been looking for you," he says quietly. "Well, you found me!" she chirps. "Isn't it romantic? I've even got my old locker back. It's almost as if the last five months never happened." She is clearly deliciously out of her mind. She tells Michael that everyone in the hallway keeps looking at her like they've seen a ghost. There is something brilliant about, you know, coming back from the dead and just going in to work like nothing ever happened. Michael tells her that there's something she has to know. "I don't know how to say this, but...um...when I heard that you had died...you know...grief and confusion...well, it's just that...I got married." Kimberly cocks a brow. "REALLY?" she asks. "To WHOM?" Michael shuffles his feet. "Yeah. Well. To whom? I married Sydney. Now, the way it happened, that was complicated. Um. It's kind of hard to explain. It was blackmail, really." Michael looks at Kimberly pleadingly. Kimberly slams her locker, like, really really hard. Then she chuckles. "Doesn't matter why you did it, Michael," she announces. "You're just gonna have to get rid of her." This is met with nervous silence. Kimberly throws her arms around Michael's neck and declares, in a steely tone, "Maybe I didn't make myself clear last night. I've come back to claim what's mine. AND YOU'RE THE FIRST THING ON MY LIST." She kisses him, hard, stares at his stunned face for long moment, smiles evilly, and then skips out.

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Melrose Place: "The Bitch Is Back"

by Jessica October 1, 2005
Melrose Place: “The Bitch Is Back”

Beach house. Michael awakes as Sydney kisses him. He whacks her on the head to get her off him, and she chuckles, blissfully unaware that he seems a little on edge. He is totally dismissive of her as he gets out of bed and heads into the kitchen. He looks around the living room in the harsh light of day, and then turns and goes back to Sydney. She tries to get all kissy-face with him, but he's not interested in either her kissies or her faces. Michael announces that he's got a meeting and needs to go, and so he slams the bathroom door in Sydney's face. She pouts.

D&D Advertising. Amanda is talking to whatshisname, whom I think of as Tony Marchette from 90210, the mob boss who allegedly ordered the hit on Dylan McKay's dad, although of course we later found out that Jack McKay's death was faked so that he could enter the witness protection program, which made it all the sadder that Dylan had so much angst about marrying the daughter of said mob boss, especially when said daughter was gunned down in a tragic actual hit gone wrong. The Tony Marchette on this show, however, will come to an entirely different sad end when Amanda basically talks him into killing himself so that she can take over the business. Right now, though, he's mad because the "owner and CEO of Models Inc." is really pissed about Amanda firing Simpering Sarah the day before. "This isn't Woodward Advertising! This is D&D! And I make the rules," Tony tells her. Not for long, buddy. Not for long. Amanda shifts her weight and tells him that Models Inc. has shitty models. "That's crap and you know it!" snaps Tony. "I ran a records check, and you've effectively blackballed Models Inc.! They've demanded an apology and you're gonna give it to them!" Amanda agrees to start hiring models from the agency, but she would really rather not apologize. Tony Marchette waves his finger in her face and tells her that she WILL apologize and she WILL do it in person and there WILL be groveling and he WILL fire her if it happens again. And he WILL regret this when she manages to engineer his suicide. Amanda crankily agrees.

Michael shows up at the hospital and finds Kimberly at her old locker. She greets him cheerfully. "I've been looking for you," he says quietly. "Well, you found me!" she chirps. "Isn't it romantic? I've even got my old locker back. It's almost as if the last five months never happened." She is clearly deliciously out of her mind. She tells Michael that everyone in the hallway keeps looking at her like they've seen a ghost. There is something brilliant about, you know, coming back from the dead and just going in to work like nothing ever happened. Michael tells her that there's something she has to know. "I don't know how to say this, but...um...when I heard that you had died...you know...grief and confusion...well, it's just that...I got married." Kimberly cocks a brow. "REALLY?" she asks. "To WHOM?" Michael shuffles his feet. "Yeah. Well. To whom? I married Sydney. Now, the way it happened, that was complicated. Um. It's kind of hard to explain. It was blackmail, really." Michael looks at Kimberly pleadingly. Kimberly slams her locker, like, really really hard. Then she chuckles. "Doesn't matter why you did it, Michael," she announces. "You're just gonna have to get rid of her." This is met with nervous silence. Kimberly throws her arms around Michael's neck and declares, in a steely tone, "Maybe I didn't make myself clear last night. I've come back to claim what's mine. AND YOU'RE THE FIRST THING ON MY LIST." She kisses him, hard, stares at his stunned face for long moment, smiles evilly, and then skips out.

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