Nashville
Nashville

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Potes: A+ | 25 USERS: C+
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Love in an Elevator

And then we all have to endure a horrible phone call between Rayna and Teddy. She talks about how important their time apart is to figure things out, and swears she didn't know that Deacon was going to show up on the tour. She also swears that she didn't want him there. Teddy asks if she's seen Deacon since she fired him, and Rayna is all, "Oh, erm, gosh, well, cough." She explains that she saw him out of concern since they have been friends for 20 years, as Teddy well knows. For once, Teddy actually has a meeting to go to and this sense of temporary purpose emboldens him to say, "Okay, Rayna, I get it. You didn't know about Deacon, you didn't plan any of this, life's a bitch sometimes, and you're processing. Have we covered it all?" Damn, girl! And then he hangs up, leaving Rayna only the long neck bow on her hideous blouse to fiddle with.

Meanwhile, Marilyn happily informs Avery that Belmont loved him and wants him to come back for another festival in the spring, and reminds him that a crew from a show called Star Towns will be following him around. The show features musicians showing off a city that they love, and always has one big star and one up and coming act. She works hard to convince Avery that this is all good news, but he's too busy Googling details of Scarlett's upcoming performance. Marilyn tells him to get over it, which is a piece of advice that he could apply in myriad ways.

Back in Chicago, Rayna's on stage in a short sequined dress that looks like it could belong to Juliette, and singing, "I'm Already Gone." While I am a fan of her tight trousers of yore, the dress is really working and she looks impossibly fly. And I haven't even mentioned the hair. I wish I could just transplant all of Connie Britton onto myself, basically. Except the voice. She IS improving, but still. Rayna is a fan of the "stand there and sing" style of performance, which is a lovely contrast to what we'll see from Juliette in a few moments. We get flashes of adoring audience members, none of whom seem to know the words to Rayna's big show-closing hit. Suspicious. But Rayna loves Chicago nonetheless!

Backstage, Deacon makes his way through a bunch of half-naked dancers warming up and is likely starting to think that even with the rapey times The Revel Kings gig wasn't so bad. As Juliette has a rack of wardrobe options wheeled into her dressing room, Deacon notes that it's like a big Vegas show. He's not regretting coming, necessarily, just getting used to all the glitter. Juliette blinks her five-pound eyelashes, and then we cut to her on stage in leather hot pants with dancers jumping all around her. And come on. If she has all these dancers, why have we never seen them before?

Nashville

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