We cut to Juliette's Twitter feed, where a whole bunch of folks seem to have opinions about her recent fall from grace. Juliette is starting to look concerned, and just in time we have Jolene telling her to look on the bright side -- she's whipped up a batch of Juliette's favorite dish, which is called "pink macaroni." Just like Juliette likes it, with the ketchup and big ole' dollop of cream cheese. And, I mean, I am as much of a fan of the tacky church fundraiser cookbooks as anyone, but "pink macaroni" seems a little extreme. Juliette yells that she doesn't eat that crap -- after all, she's moved on to the gastronomical favorite of foodies everywhere: Kraft singles. She then attacks Jolene for pretending to act like a good mom when she's really casing Juliette's house to see what she can sell for drugs. I mean, that's a pretty fair assumption. Jolene looks distraught, and Juliette grabs her backpack and dumps out the contents. But instead of finding the good silverware or jewelry or a Ziploc bag full of $100 bills, she finds a photo of Jolene napping with a baby who I assume is Juliette. And then everybody cries. I have to say that Hayden Panettiere is pretty much killing it in this role. Who knew?
After a break, we return to a post-coital moment. There are a lot of those on this show! This time it's Gunnar and Hailey, who wasted exactly no time getting down to business. She wonders exactly how awkward this is going to be at work, not yet realizing that Gunnar is only into fake-awkward moments that in reality make things not awkward. Hailey says that this can be a one-time thing, but both of them look like they'd at least like to make it a two-time thing. Gunnar thinks that Hailey is like a dude, except for the yogurt, obviously. We see sad Scarlett drive up to Gunnar's place juuuuust as he and Hailey are exiting arm in arm. I feel like this is some specific imagery that she can use to communicate a universal experience, per her own writing philosophy.