Previously: Don't try to sneak anything past a paranoid code cracker (is there any other kind?), and for God's sake especially not when it comes to the number 13. I'm looking at you, crafty crossword columnists and would-be assassins. So… Will arrives to his first day stepping into dead boss David's shoes as team leader, and he is nervous as a long-tailed cat in a room full of rocking chairs -- and not just because the last person in his position met an untimely, bone-crushing end. In between research on international espionage involving a guy named Yuri (is there any other kind?), Will delves deeper into what really happened to David, eventually stumbling upon a page in David's typewriter with a coded message: "THEY HIDE IN PLAIN SIGHT." His covert crossword sleuthing further uncovers a trigger for several apparent past revenge killings involving Hezbollah, amongst others. With only pieces of the puzzle in front of him, Will eventually blows up on his teammates for being variously pompous, ADD, and too darn cute for her own good. He heads to the roof to clear his head, wherein we see again that he is being watched and that his supposedly clandestine investigation is holding the attention of several others who'd sooner have him dead than alive.
Meanwhile Katherine attends the reading of her recently passed husband's will. Not only did Tom suspiciously amend the will two days before offing himself, he also bequeathed a secret townhouse to her. She visits the hideaway and is alarmed by Tom's altogether too apt penchant for Graham Greene. More to the point, she riffles through his things and finds a four-leaf clover, which -- unbeknownst to her -- links him back to all the code-tastic shenanigans Will is currently unraveling. That darn marsilea quadrifolia is at it again!
-- Lady Lola
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So, that first hour was incredibly boring and slow and kind of lame BUT I still saw some potential there that the previews for this episode suggested it would soon realize. The AMC marketing people seem really -- perhaps too -- proud of themselves for this show so they must have a reason ... right? I can be patient. Up to a point. That point is probably a bit sooner in coming than usual, seeing as how I just returned from a vacation to find that my car doesn't work, I'm exhausted from jetlag, and I caught a nasty head cold on the Petri dish that was Virgin Atlantic Flight 045. So I might be a little bit cranky this week.
We open on Will standing on the roof of a building. If he jumped and died right now, that would make this show slightly awesome. Just a thought. But he'll probably just stare at the people walking on the sidewalk below for a while and bore the shit out of me instead. Sure enough, that's exactly what happens. But thanks for the long shots of various parts of a nondescript and rather ugly building, show. I've always wanted to see the ugly side of New York City.
I do like the theme song, though.
Tanya arrives at work and is duly searched by guards, one of whom might be played by one of Chris Farley's brothers. He orders her to take off her sunglasses for "visual identification," which she doesn't want to do either because she's been crying or her eyes are just looking extra puffy this morning. She then heads for the bathroom and barfs in a stall while Maggie tries to put on her lipstick. I hate it when that happens. Tanya emerges from the stall and the women exchange a brief look but say nothing even though there is clearly a problem, because that exchange of dialogue has the potential to be slightly exciting or advance the plot in some way. And we can't have that.
Will arrives at work and nearly runs into Tanya on his way upstairs to his new office, which is still full of his dead boss's stuff. Maggie arrives almost immediately and asks if Will is nervous about his first day. He says he is, and she says everyone is rooting for him. Are they really? Because Tanya barfed all over the place, Grant clearly wanted that job for himself, and Miles is a weirdo. That's not exactly the most supportive group in the world.
Will heads over to talk to a guy we haven't seen before, whose office is enclosed in a chainlink fence with just a keyboard and monitor and a bunch of computer-type things. And the monitor and keyboard are high up, too, so he has to stand to use them. Did they shoot this in the post-production offices? What the hell? Will hands him a bunch of crossword puzzles to research for a "big case," but tells him not to tell anyone else about it for now. The guy says that's against the rules and that his name isn't Hal, which Will keeps calling him. "Thanks, Hal," Will says, walking away. They could make this into a hilarious workplace sitcom if the conspiracy drama angle doesn't work out. Will can star as the clueless asshole boss. NotHal sits down at his heretofore unseen actual desk and gets to work. Although the work he's doing is probably a list of people he's going to kill (new #1: Will) and not so much the secret crossword puzzle research.