That discussion out of the way, Clay's gone to visit Unser. He butters him up with a beautifully restored motorcycle ("Consider it my first payment on a long-overdue debt"), then airs his concern about Tara having JT's old letters. "I need you to find them now... when you track them down, you give them to me, I'll get rid of them," he bids Unser. Having thus broken his promise to his wife, Clay prepares to leave.
But look! Here comes Gemma, who seems none too pleased to see Clay, quite possibly because she needs to lean on Unser to help her find those letters -- although she disguises it as a charity pot drop-off for Unser. Clay pecks his wife and heads off. Gemma's morning of being lied to by the men in her life continues, as Unser claims he and Clay were merely setting up "trucking shit," and not talking about how Unser needs to fetch some letters for Clay.
Gemma snarls, "Don't you lie to me." Unser folds and sits with a plaintive "I'm between a big rock and a really hard place here, Gemma." Gemma figures it out; she seems less surprised than irritated that Clay would break a promise to her. Unser feebly defends Clay with "He's worried," but Gemma's all, "Yeah, we've gone beyond worried into kill-happy. Get the letters -- they're in a locked desk drawer in Tara's office. If you're lucky, Tara still hasn't learned to lock her door because she loves it when her mother-in-law and/or ornery old bikers lie in wait in her bathroom." Gemma emphasizes how Clay cannot get his hands on those letters. She stalks off and Unser sits back with a look like he regrets every decision from the last twenty years.
Oh, hooray, we've reincorporated porn into the regular storylines! The boys are on a set with Lyla, who tells them that Georgie Caruso has gotten out of the entertainment end of the adult entertainment industry and is now making high-end sex toys. Lyla's sparking up as she drawls about passing up an opportunity to make a doll with Ima and "the Saffron sisters," and Opie leans over to grab the joint away. He also provides exposition: Lyla is now under contract to one-named producer-director-hyphenate "Dondo." Lyla heads out to work with him and Jax follows, as he decides he needs to make Dondo's acquaintance. Since Opie can't stand what Lyla does for a living (which makes me wonder if he can't stand having her income contribute to the household or if his dislike is suspended temporarily with every direct deposit), he elects to stay in her dressing room. While doing a bit of tidying up, Opie discovers Lyla's stash of birth control pills. He is not thrilled to learn that Lyla's approach to taking charge of her fertility is to nullify it.