The boys explode into angst-laden bitchery, with Sam being all, "Dad's dead, the fucking Colt is gone, The Ceiling Demon responsible for it is somewhere out there, and all you can think about is fixing your fucking car!" and with Dean being all, "Even you can't decipher Dad's cryptic notebook crap, College Boy, and if you could, we'd still have nothing to kill the damned dirty demon with anyway, so cram it!" and me being all, "Sam did not just diss Dean for fixing Metallicar, did he? Oooooh! Catfight!" Dean finishes it all up by asserting that as long as he can't accomplish anything productive with regard to the primary demon in their lives, he'll be fixing what he can: Metallicar. By the way, the song's just hit the part where the gentleman can tell his brother by the flowers in his eyes on the road to Shambala, and I am not making that up. Go back and check yourself, if you don't believe me. Sam, leaving the whole issue of Dean's screwy grieving process behind for the moment, finally reveals why he came out to bother his brother in the first place: He found one of John's old cell phones and cracked the voice mail password to retrieve a message John had been saving for the last four months. Dean presses the thing to his ear to hear a woman say, "John, it's Ellen -- again. Look, don't be stubborn. You know I can help you. Call me." Click. Dean's all, "Yes, and...?" Sam found no references to Ellen in their father's papers, but he reverse-directoried the phone number, or something, and he's got her address. Dean mulls this over, then nods his head, adding, "Ask Bobby if we can use one of his cars."