Hotel room? Quite an odd one, if it is, though I guess it could be a room at a boarding house. In any case, the brothers put on the suits they tried on and bought without mugging for the camera and thus forever disappointing me. Obviously going to the funeral for the man killed a mere three to four days ago, right? They discuss Cassie's "fearlessness," and I am not fooled by someone telling me how someone is supposed to be instead of seeing that quality for myself. ["WB shows have a habit of getting 'bold' and 'obnoxious' mixed up, Kevin Williamson." -- Sars] Sam observes, "What's interesting is you two never look at each at the same time," and then babbles on while Dean gives him the Look of Shut Up, "It's just interesting, you know, in an observationally interesting way." Hee. Dean finally tells him to cram it and think about the "more pressing issues" instead.

Cut to the Metallicar driving down a lonely stretch of highway with strange filler guitar riffing in the background. Why did we need this shot?

Cut to the brothers walking down a pier, where there are large traps that appear to be meant to catch shellfish. All the shellfish in the Mississippi. Let's think of all the places they could have set this scene where Sam and Dean talk to a coupla working-class Joes: a factory, a factory, a factory, a factory, maybe even on a farm.