Ellison, who gets great cell phone reception inside the prison, tells someone that he wants the prisoner transferred today, since BAG's got something to say, and Ellison wants him on federal turf when he says it. Ellison wouldn't have much reason to notice the nearby group of prisoners walking single-file down the hall. But there's one more connection to the triple murder: the Terminator who committed it, shackled and in an orange prison jumpsuit, at the end of the line.
Ellison leaves the prison just as Sarah's arriving. Not that he'd recognize her in a straight bob wig, sunglasses, and miniskirt. If she's trying to keep a low profile, I'm not sure the Sexy Lawyer look is the way to go. Not that I'm complaining. She's on her cell phone with Mr. Harris about Jordon's suicide. "When I spoke to Cameron about it, she seemed strangely unaffected," says Harris. Can someone point out to Harris that Cameron -- apart from being a cyborg -- had been at the school, what, two days? Not every teenager needs to bawl in front of a trauma team. Sarah says things have been tough, what with the "tornado" (another Wizard of Oz reference) and then the move. She kind of trails off, but that's because she's distracted by nicking someone's security pass as they leave. Harris perks up at the mention of a tornado, but as soon as he says "post-traumatic stress disorder," Sarah tells him he'll need to speak up, and she snaps her phone shut and proceeds through the security gate.
She's ushered into the interview room, where she sits down across from a stunned BAG, who says, "You shouldn't be here." "I know who you are," she says. Well, of course you do; otherwise why would you be there? BAG says he knows who she is too: "Who else but Sarah Connor would have burned down that poor kid's house?" Hey, at least Andy's voice has cracked. Sarah says BAG was the one on Andy's porch that night; he's been watching: "You wanted to kill him, the 'poor kid,' and you did." BAG says he only wanted the Turk, and Andy was already dead when he got there. "He was dead and the Turk was gone, and I'd hoped you did it." So the Turk is out there, then. BAG still wants her to get out of there, because he's got a "T-888" on his ass. Well, I'm sure you can get a shot to clear that right up. "Now if you could find me, it will too." BAG suggests going to find Andy's partner, the Russian. Sarah wants to bust him out: "You're dead in here," but BAG insists she go: "I won't be the bastard who brings metal down on the Connors, so just go." Even more hated would be the bastard who brings bluegrass down on the Connors. She realizes he's right and gets up to leave, only he makes a last-ditch attempt to turn this into a conjugal visit. "You're prettier than your picture," he says, giving her pause. He says his brother used to carry her snap for luck. "Who's your brother?" Sarah manages to say. BAG says it doesn't matter: "You don't know the Reese boys and you never will." Again, Sarah can barely get the words out: "'Reese boys'?" "Derek Reese," says BAG. "Brother's Kyle." Sarah looks like she swallowed a mosquito.