D'Angelo asks McNulty, "Is that it?" Ronnie, addressing D'Angelo's lawyer, says that any plea agreement depends on his full co-operation. His lawyer looks at him, and D'Angelo impatiently tells Ronnie, "Yo, there ain't nothing else." McNulty opens a folder and smacks down a photo of Diedre Kresson's corpse. "Diedre," D'Angelo says, with dismay. Bunk knocks three times, deliberately, on the table, and D'Angelo confirms his implication: "Tap, tap, tap." Bunk knocks again, and D'Angelo reluctantly says that Diedre was one of Avon's girls. McNulty says that witnesses put D'Angelo with her the night of her murder. D'Angelo hoarsely says, "I didn't know they was going to do her. I swear. They played me." McNulty asks how, and as D'Angelo regards the photo again, he explains, "My uncle gave me an eight-ball of coke. Told me to take it over there to her. I was surprised, 'cause, you know, I thought he dumped her. But he said, nah, it wasn't like that no more. So he had Wee-Bey take me over there. You know, I walked up, went to the door. She came to the door, all naked and shit, with this little-ass robe on." Bunk clarifies that even though Diedre was Avon's girl, she came to the door nude for D'Angelo, who says that she used to tease him like that all the time: "You know how girls do. Maybe you don't." I'm guessing girls don't get much chance to be playful with Bunk before he starts setting his clothes on fire in their bathtubs. He gets sort of pissy, but McNulty gives D'Angelo a chuckle for that. D'Angelo returns to his tale, saying that he asked Diedre if she wasn't going to let him in. She said no, because she had to get ready for Avon to come by later. D'Angelo gave her the eight-ball, and she said she was going to "put it on ice," for later. "Refrigerate it," says Bunk pointedly, to McNulty. D'Angelo doesn't know: "Like I said, I didn't go in." He'd started walking back to his truck when he heard the shot: "Wee-Bey, he come running back with this big-ass .45 he liked to use so much, tells me how he was tapping on the window, real soft." Bunk and McNulty exchange a look, having their version of the situation confirmed. D'Angelo: "With the lights on, she had to walk all the way up because she couldn't see what was on the outside. When she gets up to the window and looks out...." With that, the camera cuts to the crime-scene photo. Goodnight, Diedre. D'Angelo crosses his arms, looking away, and Ronnie nods at McNulty, satisfied. "You did good, D'Angelo," says McNulty; Bunk agrees.