We've been excited to see more of Cam's football coaching since the topic was introduced at the beginning of the season, but we've been given just tiny glimpses of it since then. So we were excited for "The Big Game" and while the Cam stuff was pretty good, the rest of the episode could have used some motivational speaking.
It's almost too convenient that Kirstie -- which appears on a network dedicated to older shows and stars a trio of classic sitcom stars -- feels like it's out of a time warp. It feels like a broad, run-of-the mill sitcom (heck, it even announces it's taped in front of a live studio audience, if that doesn't fill you with nostalgia) that would have aired alongside the likes of Cheers or Seinfeld but no one would have watched because they were tuning in to Cheers or Seinfeld. Everything from the jokes to the aesthetics to the entire concept of the show feel like they are from another time completely. But Kirstie, which premiered last night on TV Land, doesn't feel like wistful nostalgia to reunite with old friends, rather a strange time capsule dropped into a television landscape that's moved on without it.
Having been exiled from the zombie-infested post-apocalyptic wasteland that he created for the small screen, Frank Darabont returns to his mid-20th century America stomping grounds (the location of his first three features, The Shawshank Redemption, The Green Mile and The Majestic) for his latest foray into television, Mob City.
Bam! Biff! Pow! The animated Caped Crusader is on DVD.
Ever since Friends went off the air nearly a decade ago, there's been a noticeable absence of great Thanksgiving episodes on sitcoms. New Girl has clearly been trying to fill the void and while the first two efforts -- "Thanksgiving" (Season 1) and "Parents" (Season 2) -- were solid efforts, last night's "Thanksgiving III" proved that the third time isn't necessarily a charm. It probably didn't help matters much that this was a Thanksgiving episode with little to no Thanksgiving, but mostly it was because the mojo of Season 3 is still off. While Schmidt and Winston had some particularly hilarious moments, Coach still feels out of place and the over-analyzing of Jess and Nick's relationship reared its ugly head again. Here now are the do's and don'ts of going camping on Thanksgiving:
Cue up the Marty Robbins and relive the entire run of Breaking Bad.
Aw shucks. Has there ever been an SNL host as adorable as Josh Hutcherson was this weekend? The Catching Fire star sure had a good sense of humor about himself and his small stature, making it nearly impossible not to like the guy (even if you are on Team Gale). Hutcherson may not have the most natural comic timing, but he certainly gave it his all. It was a feat all the more impressive given it was a very mixed-bag episode. For everything that did work (an '80s lip synch to The Outfield's classic "Your Love"), there was just as much that really didn't (Hutcherson bringing his turkey girlfriend home for Thanksgiving dinner). Seriously, aside from the rather mediocre opening monologue, why weren't there more Hunger Games sketches? Either way, here are the best and worst moments from Hutcherson's episode of SNL:
A giant Snoopy float, every conceivable high school marching band in America and, of course, Santa Claus will all once again make their way down Sixth Avenue in New York City in the early morning hours of Thanksgiving Day for the annual Macy's parade. While the 2013 parade already has some pretty cool new additions (Finn and Jake from Adventure Time!) from the television world, we thought there were some glaring omissions in this year's lineup. Here are five TV characters that we think deserve to strut, float, or shuffle their stuff in the famous Thanksgiving parade.
Most television hospitals look and feel like the Hollywood sound stages they're filmed on rather than the real deal. Their staffs are compiled of nothing but attractive, well-rested, made-up doctors and nurses and the most tragic patients get melodramatic musical accompaniment. Getting On is not one of those shows. It is a bleak, clinical take on the staff and patients of a cold, clinical place: the geriatric extended care wing of a hospital.
It's probably for the best that Breaking Bad ended before the mockumentary comedy Ja'mie: Private School Girl debuted in America, because I'm not sure television audiences could handle the likes of Walter White and Ja'mie King in their lives at the same time. It would have been one too many sociopathic forces of evil to handle. Then again, compared to the unfathomably terrible Ja'mie King, Walter White almost seems to have some redemptive qualities.
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