BLOGS
With Obama's landmark inauguration happening Tuesday, we're hoping that after he gets around to fixing all of America's problems, he'll be able to inspire some much needed changes on the TV landscape. We've taken a page from his list of campaign promises and come up with our own changes that we could really get behind.
Cut Wasteful Subplots
So many shows spend way too much time on characters that no one cares about. House with Thirteen and Foreman's search for a Huntington's cure and Heroes with all that dribble about Ali Larter and her ever growing stable of personalities and anything to do with Mohinder. So in the spirit of economizing, let's focus our efforts on what people really want to see, and trim the fat wherever possible.
Create Jobs for Talented Actors
The casts of Pushing Daisies and Dirty Sexy Money have recently found themselves ousted and on the unemployment line. It's a true shame as these are a slew of talented actors, who got caught up in some network malarkey and are out of work. Studios need to get to work on finding these, and other talented out-of-work stars some new gigs, stat.
Support Small Networks
While the big networks get most of the attention and Nielsen ratings, some of our favorite shows air on the smaller networks, so it is no wonder that most people look at us cross-eyed when we tell them that we just really love Mad Men and Breaking Bad. Let's support the quality efforts of littler cable nets like A&E, AMC, FX, BBC America, Showtime, Sci Fi and that ilk who are trying to break some new ground and make truly original television.
Ratings Rescue Plan for Suffering Shows
It may be too late to bail out Pushing Daisies, but there is time to put in place a plan that can boost the profile of quality sinking shows before they get axed. Let's get this in place, just in case we need to put it into action for Dollhouse.
Reform Cancellation Laws
Why do the networks always get to decide what gets cut and what stays? How does something like Wife Swap get renewed again and again? How does Private Practice get a plum time slot while other shows get the ax. It can't just be on numbers. There needs to be an official inquiry into this matter, and then some new rules put in place.
Address Nielsen Practices
I have been writing about television for ten years now, and I've yet to meet anyone who has a Neilsen box, or even knows someone who has a Nielsen box. Something is wrong with a system that only takes a sampling of the viewing public. With all of the Big Brother-ish technology available, wireless internet, DVRs, and cable boxes, there's got to be a better way to track what people are actually watching. Who cares if that might be "illegal"!
Create Trade Agreements
Instead of doing crappy remakes of shows like The Ex-List and Kath & Kim, why can't there be more networks that air the actual versions of these for Americans. Like a more worldly international version of BBC America. Or heck, why can't the big networks just air these series the way they were originally intended? Let's find a fair trade agreement. People all over the world get to watch US shows, why not give us the same opportunity?
What are the big changes you'd love to see happen for TV? List 'em below
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I'm so tired of shows getting yanked before they've even had a fair shot at building an audience. Not to mention the old time slot switcheroo. If a network commits to a show, it should agree to air at least thirteen episodes, in the same time slot, before making a decision as to the show's fate. Word-of-mouth works in television as well as in indie films. Listen up, suits!
I'd like to see J.J. Abrams limited to 2-seasons for any show. Give him 48 episodes in which to tell the story, so we don't have "Alias seasons 3-5" or "Lost seasons 3+" where the world just goes haywire. Let him create his fantastic characters, a few dozen storylines, and bring them all together. No more, "Oh, wait, we've got another season to fill, so let's just turn the whole mythos on its head!"
it boggles my mind that Jim Belushi still has a show on TV but Pushing Daisies is gone.
Also agree with showing the original versions of some of the shows like Life on Mars and Kath and Kim. Although, I think most AMericans might not understand half of what they say on the Aussie version.
Word, word, WORD. Especially about the Nielsen ratings. I am so sick of those things being gospel when industry people have evidence that people are watching the shows at other times (after TiVOing) or in other formats (online).
BBC can do no wrong!! Just air the orginal trashy BBC shows so we can see what mediocre television is all about! If it has an accent it has to be far better then anything we can come up with!
If we lose another Joss show before a full season I may not make it... I fully agree on EVERYTHING listed above.
NBC is actually going to be airing the original version of Merlin from BBC soon, so hurrah for a step in the right direction!
Anybody out there remember ANTHOLOGY SHOWS? They had a different story every week,usually based on a common theme.TWILIGHT ZONE,OUTER LIMITS,ALFRED HITCHCOCK PRESENTS,and Boris Karloff's THRILLER are just a few examples.It would be way cool to have these type of shows come back again,as opposed to Jay Leno in prime time.WHO'S DOWN WITH ME ON THIS? LEMME HEAR YA!!!
So Say We All! My heart and TV need Lee Pace and Bryan Fuller employed. The Nielsen ratings need to disappear and be replaced by polls that Nate Silver crunches. That would be a ratings system I could believe in.
I think everyone knows exactly why Private Practice is still on the air: Shonda Rhimes created it. If anyone other than ABC's Grey's Anatomy golden girl had created that show, the plug would have been pulled right along with Pushing Daisies and Dirty Sexy Money -- and a network and a rating system that would deny us more steamy Blair Underwood shower scenes must be held accountable!! (ok, on that point I may be a bit biased... plus let me be the 1,232,429th person to say I wish Ned's magic death-defying touch could be used on the series) Hey, I was the one who thought CBS should have aired the original Blackpool along with captions -- no shame in that. And if there was a way to anonymously submit the programs I actually watch, both on TV and (ahem!) online, I'd participate. Maybe certain science fiction programs would run here uncut (geez, just give it a 1 and 1/2 hour time slot!) and in prime time without US fans having to wait and hope the episodes get picked up and run on cable networks and public television... eventually.
I had a Nielsen box for a year, and to be fair, we had a DVR and didn't have a landline. So they do two measurements of watching DVR-ed shows: if you watch it later that night it gets included in the overnights, and if you watch it within three days it gets included in the weekly report.
I would hope that the networks are measuring how many people are watching the shows online, and factoring it into the Nielsen reports. Because, really, the only reason that SNL is still relevant is that when they have the occasional good sketch, it spreads online like wildfire.
UK and Aussie shows have a big advantage over US shows because they generally only run for a few seasons, and those seasons have far fewer episodes. As a result, the shows are better quality. Kath and Kim has only 8 episodes per season, and the great great great Summer Heights High has, I think, only 8 total? (Which I have watched approximately 27 times each over the past year and a half, and which I hope people are watching on HBO; I no longer live in the US, or I would be!!).
Then of course there's The Office, which was remade from a 12-episode run to a long-standing US series. Luckily I loved the US series, but I think most hardcore fans would agree that the show could have, SHOULD have, ended on the Season 3 finale. It was perfect, and would have preserved the series in its heyday.
So maybe the issue isn't why some great shows are getting cancelled, but why do so many shows go on FOREVER???
(Don't get me wrong, though. If American TV is going to continue to pump out episodes like crazy, I agree with everyone else that it needs to be for the quality shows, not the pieces of crap that keep inexplicably getting renewed.)
Order shows by the season or greater. Meaning no 3-episode shows. No back-9. None of this nonsense. Full orders or no orders, as well as notice on whether it will be renewed or not, so that every show has time to tell at least a specific story before cancellation. I'm sick of watching them air just a few installments of what could be a very good story and then replace it with Who Wants To Marry My Brother: San Francisco or whatever.
Order shows by the season or greater. Meaning no 3-episode shows. No back-9. None of this nonsense. Full orders or no orders, as well as notice on whether it will be renewed or not, so that every show has time to tell at least a specific story before cancellation. I'm sick of watching them air just a few installments of what could be a very good story and then replace it with Who Wants To Marry My Brother: San Francisco or whatever.
Minorities on soap operas with like actual plots and storylines
I think the execs need to come to sites like this all the time and read what the actual viewers are saying. They'd learn a lot. I was a fan of Moonlight and I was just so angry when they ended it. Every site on the web was saying how big the fan response was to the show but because the Nielson ratings weren't high enough, they still cut it. Luckily I have my dose of vampire love with True Blood, but I'd still be watching Moonlight if it was still on. If one more of my shows gets replaced by reality t.v. I will scream!! I hate reality t.v. It's more scripted than dramas. The need to listen to the viewers or give every other home a Nielsen box.
I was a Nielson family 2 years ago. Instead of being given a box, I was given a grid for every member of the family where I marked exactly what I watched, what time, what room the tv is in, and whether it was recorded. Unfortunately, I was chosen the week of law school finals, so my tv viewing was cut in half, and my husband didn't care enough to write anything down.
Private Practice's 10pm timeslot is hardly plum, but the fact is it gets the all-important demos in that slot, and is doing far better than any recent show in that timeslot. Even the repeats garnered 4.5m - the same as an ORIGINAL Pushing Daisies episode. Those bitter about the fate of Pushing Daisies should look for another target to vent at. That show (together with DSM) failed to pull the ratings or the demos so it was axed. End of story.
I agree with HalfWayGone,
Give shows a full season before they are cut or reknewed. This gives the show a chance to aquire viewers and a chance to end things properly if it's not picked up.
I hate it when when shows abandon characters you've cared about for bright shiny new ones that aren't half as interesting or well thought-out. And yes HOUSE, I'm talking about you!
So I don't know anyone who has a Nielsen Box but my Mom works for them. Does that count?
So I don't know anyone who has a Nielsen Box but my Mom works for them. Does that count? Some people get the box in their house for a long period of time. Some people get the grid diary for a week or two. Some people get called and asked "What is your TV showing right now?"
I think that networks need to be more open to the idea of a limited-run show. I don’t understand why that seems to be such an alien concept on American television. Creators need to decide in advance how long they expect a show to run, and slots need to be set aside for shows that aren’t designed to run forever. Networks would be more willing to gamble on a set investment and less inclined to ax a show that is understood to be working towards a point, and top priority wouldn’t always be given to things like Two and a half Men that are designed to run for ten years.
If "reality" TV must continue to exist, I'd prefer it were limited to competition programs, like Amazing Race and Project Runway, were participants have to demonstrate a skill other than immediate removal of their clothing and/or staged tantrums.
SpoonyBard, I'm with you. "Northern Exposure" was a riot for one season, and could have wrapped up and gone out on a planned high note. Same with "Scrubs", "Desperate Housewives", "Heroes". There is nothing wrong with an unusual or even downright quirky idea being given a chance without the pressure of having to maintain ratings for several years. Even "Jericho" could have been interesting if the plan was to tell the story in one season; same with "The Nine".
I can't believe no one has stated this yet, but considering that we now officially have our first black president, how about more television series with lead actors who are minorities? Even with Obama as prez, there is still a striking absence of people of color (not only black, but also asian, hispanic, middle-eastern) doing anything but playing supporting roles on TV. It's time for TV to wake up and realize that its 2009.
And while we are on the subject, how about more plotlines for women that don't involve the two golden oldie standards: marriage and pregnancy. As if these are the only two possible plotlines that can make women interesting.
ronathan you need to write more about that. I couldn't explain why TrueBlood was so exciting so I came to my usual complaint. Most films are written from the male point of view, gorgeous women panting after average or even homely men. TrueBlood of course written by Charlaine has the heroine being loved and cherished by very sexy men. More like that and more women would make appointments with their TVs.
Commercials, whether on TV or online, must not be broadcast at a louder volume than the regular programming.
WORD with forced full seasons. I remember when the X-Files was sorta wobbling its first season until the internet revved it. I can't imagine a world where TXF got yanked mid season 1 and we never got (at least) S1-4. I still cry for "Firefly" and "Profit" And IA Ronathan. I wanna see more strong action women (at least we have Fringe) like Nikita and Sydney Bristow and some minority leads in shows like 24 and lost. It's time for a Black or Asian Jack Bauer.
I agree that people may not understand the original versions of Aussie or British shows. As an Aussie, let me be the first to volunteer as a reviewer for TWoP to explain the nuances of Australian humour. As long as I don't have to review Aussie soaps - you think the American ones are bad? You know nothing!
I know a Nielsen family, and they can be bought.