After Ringer was rejected by CBS, The CW valiantly swooped in to save little Buffy and her soapy primetime series. And we were smitten with the show at first, thanks to Sarah Michelle Gellar and the promise of lots of dark twists and evil twins. Fast forward 20 episodes later and we've all but given up on what has now become a forgettable drama that we barely remember exists. The CW has yet to announce any plans of renewing the series, but we have a few reasons to offer for why this week's Season 1 finale should be the series finale.

Great soundtrack, shame about the show.

Truth be told, I did not specifically remember little Eden Wood out of all the other pageant children on Toddlers & Tiaras. I also don't entirely understand why Logo, of all networks, decided to give this seven-year-old her own reality show, but I assume it has something to do with connections from her "King of Reality" manager, Andrew Sullivan. Whatever the case, the pilot was fun and mindless enough except for one obviously glaring problem: Not enough Eden!

Seacrest IN!

Sometimes when Saturday Night Live books a real actor, the sketches are more complex, funnier and all-around better. Other times, it's a lot more like this week's "Josh Brolin/Gotye," where guest hosts are reduced to bit roles, the sketches are far too long and the episode is nearly void of laughs. Aside from a fun(ish) cold open about the Republican Primaries, a pretty clever critique of Game of Thrones' obsession with sexposition (also not online) and a topical Piers Morgan bit, this episode was a major disaster. Let's take a look at the worst of the worst:

To be clear, Girls -- Lena Dunham's HBO sitcom about a group of women in their early 20s living in New York -- is extremely well written. The characters are complex, the dialogue is oftentimes hilarious and the plot is captivating. After watching the pilot (and the subsequent two episodes via advance screeners), I honestly felt that I'd never seen something quite like it before, and it wasn't solely on account of it being lady-centric... though that certainly helped.

Bravo for Brienne and other superlatives from Game of Thrones's third episode, "What Is Dead May Never Die."

CBS' latest police procedural, NYC 22, which is centered around a freshman class of rookie cops at the titular New York precinct, sports plenty of prestigious names above the title. For starters, the show was created by novelist and screenwriter, Richard Price (author of one of the best crime novels -- and Spike Lee movies -- ever, Clockers) and produced by New York lifers Robert De Niro and Jane Rosenthal. The ensemble cast, meanwhile, includes such recognizable faces as Adam Goldberg, Leelee Sobieski, Felix Solis and, best of all, Oz's Terry Kinney. So what do you get when you package all that talent together? As it turns out, a fairly ordinary New York-set cop show. But in this case, ordinary is totally okay, because what NYC 22 lacks in groundbreaking storylines and characterizations, it makes up for in basic meat-and-potatoes storytelling gravitas. That may not sound like much, but compared to the sheer laziness on display in certain other CBS procedurals (we're looking you Unmemorable... uh, we mean Unforgettable), it's enough to make NYC 22 worth checking out if you're at all a fan of the genre.

Sookie news is always better than Snooki news.

Some people get worse as they get older.