This second appearance of Melissa McCarthy wasn't the worst episode of SNL that we've seen this season, but that's not really saying much. It mostly relied on putting McCarthy in ridiculous wigs and having her do really broad physical comedy. Having watched more of Mike & Molly than we'd normally care to admit, we know that McCarthy is capable of slightly subtler humor that doesn't rely on her wearing gigantic high heels and bad wigs or falling on her face... but the show went for the easiest common denominator. They also went a really long way with a North Korea joke in the cold open solely so they could have Dennis Rodman butcher the "live from New York" intro. We've ranked the bad hair that McCarthy sported, from best to worst:
This was one of the most painful television experiences I've had in a long time, and I watched two episodes of Whitney. I don't know why I had any expectations for this one; perhaps it was because I adore Melissa McCarthy and was hoping that the writers here would have some fun stuff for her. But honestly, she's better served on Mike & Molly, where at least she gets some actual really good lines without having to be "that crazy person." This episode was so terrible that Lady Antebellum, who I am normally not a fan of (the ways I hate that "I'm a little drunk" song are too long to even count), doesn't even make this list of the worst things about the night.
Personally I've been over here humming the tune of "Ding, Dong, The Witch Is Dead" in my head since I read the news that pseudo-lesbian Sadie was checking out of Seattle Grace after a very short stint on the show. That Ausiello knows how to make a girl happy. OK, well Melissa George probably isn't particularly happy about it (even if it was her choice), but I sure as heck am. I realize I've been biased against her character, long before Hahn's unceremonious ouster and long before she ever showed up looking for her pal "death," because I really don't like Melissa George as an actress. I've held a grudge against her ever since she and her annoying character basically ruined Alias for me. With that in mind, here are the four reasons we're glad that Ms. George chose (if you choose to believe that) to get the hell out of dodge.
To be honest, during upfront week, I saw the teaser for this show and immediately jumped to the conclusion that it would be terrible. Like the crowd at the recent James Franco roast, I presumed that we would all be counting the minutes until this cop sitcom would be put out of its misery. And, to be fair, I had reason to doubt it. Andy Samberg is a lot to take even in small doses (much less as the lead of series) and a truly funny show about a detective is rare. But despite the star and silly concept, this sitcom is by far the single funniest new show this fall, delivering 22 tightly scripted minutes of straight-up comedy.
With its potent combination of an award-winning director and star (Robert Zemeckis and Denzel Washington), a celebrated supporting cast (among them, Don Cheadle, John Goodman, Bruce Greenwood and Melissa Leo), dark, emotional subject matter (alcoholism) and expertly executed spectacle (most notably a terrifying plane crash), the new drama Flight is sure to be one of the fall's leading Oscar contenders. The film, which was penned by actor/screenwriter John Gatins, casts Washington as commercial airline pilot Whip Whitaker, who manages to land his free-falling plane with a minimal loss of life. He's celebrated as a hero for his actions... until it emerges that he's got serious personal problems that may or may not have contributed to the crash. Following the film's premiere at the recently concluded New York Film Festival, the cast and crew of Flight answered questions from the press, including how the project first began and whether it cured (or contributed to) their fear of flying.
The The Big C gets a short send-off before joining the other cancelled Showtime shows in the television grave.
Television Without Pity is a voting member of the New York Film Critics Online, an organization of New York-based online critics, which convened yesterday to hand out their annual awards honoring the best in film for 2011. The silent-film homage The Artist proved to be the big winner, going home with three awards, including Best Picture and Best Director. (We weren't alone in giving that film top honors -- The Artist has also been named Best Picture by the New York Film Critics Circle, Boston Society of Film Critics and the Washington D.C. Area Film Critics. It's also currently the closest to what resembles a frontrunner for the Best Picture Oscar.) NYFCO departed from the mainstream consensus with two less expected picks -- Michael Shannon was named Best Actor for his searing work in Take Shelter, while Joe Cornish picked up Debut Director honors for his terrific alien invasion movie, Attack the Block. For a full list of winners, along with links to our original coverage of those films, click below.
All they want to do is eat your brains. They're not unreasonable, no one's gonna eat your eyes.
The Charlie Sheen-free Two and a Half Men is still winning, apparently.
Today we learned a little bit more about Ashton Kutcher's new gig, GLAAD chose CBS as Most Homophobic Network Ever (kidding!), and Charlene Yi signed on to a show way past it's prime.
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