For better and mostly for worse, David Mamet's HBO telefilm Phil Spector is another case of Mamet being Mamet. Once upon a time -- back in the era of Glengarry Glen Ross, The Verdict and even The Untouchables -- this would have been cause for great excitement. But within the past decade, Mamet has become the conservative mirror of Aaron Sorkin; a writer who uses his various films, TV shows and/or plays as spoken editorials. Their characters aren't so much characters as platforms from which both Sorkin and Mamet can stand and shout from, to the cheers of their like-minded fans and the boos of the opposing side.
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