The Telefile
Vocal Adrenaline: Why You Should Be Watching The Sing-Off

This singing competition has been quietly airing during December for the last two years, spotlighting a capella groups and airing only a handful of episodes. But while The Sing-Off doesn't get as much attention as American Idol or America's Got Talent or the forthcoming X Factor, it really is one of the best vocal-adrenaline-filled shows on television. If you haven't been watching, this season is already off to a great start -- and here's why it's worth checking out:

Excellent Singing
The majority of these folks are quite talented and can do things with their voices that you don't hear on most shows of this nature. They push their limits, usually have a working knowledge of music theory and know how to modulate their voices for percussion, bass or even delicate melodies. And they all just seem really pleased to be there and competing. We're not entirely sure if they give these people some happy juice backstage, but the show exudes a positive vibe all the way around. The sounds they create are so rich that it's easy to forget there are no instruments. Sure there are off-notes -- otherwise no one would ever go home -- but by and large, it's music to our ears.

It's Like the Best Parts of Glee
You want to know what an actual show choir competition might look/sound like? This proram gives you a far better representation than the three groups on Glee competing at sectionals. But for those who love that drama's actual show choir moments, with the costumes and the choreography and vocal harmonies, this series will appeal to that sensibility. It's usually modern music (not all Journey!) done with an all-vocal twist and some dancing. And you don't have to worry about pesky storylines that don't make sense.

Intelligent Judges
Tired of Paula babbling incessantly or Randy repeating phrases like "in it to win it"? This show has capable judges in the form of Ben Folds, Boys II Men's Shawn Stockman and Sara Bareilles, who offer up thoughtful and constructive criticism. And they're funny. Ben has a great dry sense of humor, Shawn has a sexy silliness when he's really enthusiastic about something and newcomer Sara seems like a self-effacing fan girl. They're a great combo and they are all equally competent and don't just mouth catchphrases over and over again. You definitely get more detailed technical musical commentary than just "pitchy."

Nick Lachey
No, he's not judging; instead, he realizes that hosting is more his forte and takes advantage of it. He's amiable without being distracting. And he's a snappy dresser.

Opening Group Numbers
No need for lip-syncing in these performances (Idol, take note). These large group numbers are effortless and bring a great spirit to the show, as many different styles of vocals blend together to create some truly beautiful music.

No Awful Band or Overpowering Backup Singers
After watching the Dancing With the Stars premiere and being subjected to that band and the vocalists who brutalize songs to the point that they're barely recognizable, we were delighted to switch over to this and hear true craftsmanship. There's no auto-tune or Idol-style backup singers trying to get a moment in the spotlight. It's just well-done harmonies.

No Lame Audition Rounds
The premiere started with the top 16 groups right out of the gate. No need for us to sit around listening to the screechy tones of people who actually don't know how to work together and are only there to serve as comic fodder for the show's judges and editors. And The Sing-Off cut two groups in the first episode, again getting right to the point. We appreciate the lack of the unnecessary and ridiculous.

No Nicole Scherzinger
How awesome is it that Nicole Scherzinger (who, admittedly, was mostly tolerable on this show) has left to go work on X Factor just as The Sing-Off gets expanded? Very awesome.

Understated Effects
The show isn't all flash with some ginormous stage that swallows up the performers. It features an intimate space,where the performers are confined to a relatively small area that keeps the focus squarely on them -- as it should be. We also like the little balcony boxes where the performers sit (Hollywood Squares-style, with their names in lights) and watch their competition.

My only real complaint (now that they've lengthened the season) is that the intro packages often show too much of the groups rehearsing the number that we later see on stage. If they could fix that, The Sing-Off might be practically pitch perfect.

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