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It's nice to remember that sometimes the TV Gods giveth as well as taketh away. On the same day NBC mildly disappointed us by announcing the premature end of the The Playboy Club, they warmed our hearts by mentioning that they were granting the Christina Applegate/Will Arnett comedy Up All Night a full season pickup. (They also dropped the bomb that they were going to inflict an entire season of Whitney on us, but we choose to ignore that news in the hopes it will just go away.) Granted, the full season order isn't that big a surprise; since its September 14 premiere, Up All Night has been one of the network's few bright spots, winning strong reviews from critics (including us) and solid (particularly for NBC) ratings. And as last night's very funny episode showed, the series has been growing creatively as well. Here are the five reasons we think Up All Night is clicking with viewers and earned its renewal.
We love Tina Fey. There's just something about her that makes us willing to sit through lukewarm movies like Baby Mama or even pick up a book. And watching 30 Rock for some reason makes us remember her time as SNL's head writer as actually being funny. So the moment we heard she and her unborn child were going to host this week we were stoked. Thankfully, even with higher expectations, this weekend's episode wasn't any more of a disappointment than usual (mostly because of the special appearances by other former SNL cast members Maya Rudolph and Darrell Hammond). Here's the best and worst of this week's sketches:
The first official photo of Adrianne Palicki in her Wonder Woman costume was released to Entertainment Weekly today, promptly causing the collective internet's eyes to bleed. Judging by this costume, the David E. Kelly show -- which has been asserting since the beginning that it would be a serious, non-campy take on the character -- either has no idea what "serious" and "non-campy" means, or it just changed its mind somewhere along the way. Let's just quickly go over the worst things about this twelve-dollar Halloween costume that will soon be the face of a very expensive major network television show. Oy.
Hey, remember when George Lucas said that he was going to make a live-action Star Wars TV series? Remember how excited everyone was? I'm not even a big Star Wars fan anymore, and yet I was beyond psyched about getting to visit this rich world of characters on a weekly basis. I hate the prequels, and I could care less about the cartoons, but for some reason I had it in my head that this TV show, which would reportedly feature bounty hunters and would take place before the original trilogy, could be a return to what was great about the franchise in the first place. Then the Clone Wars cartoon stretched into a second season, and an animated comedy series was announced, and no progress seemed to get made on the live-action show. Well, now it's "on hold." Um, excuse me?
Earth Day has arrived and once again we can expect to see special episodes of both scripted and reality-based shows about how to save the planet. But what about the series that do it all year round? They may not realize they're doing it, but there are plenty of TV programs out there that promote green behavior on a weekly basis, whether it's in the creative, the behind-the-scenes decisions or the examples set by their characters in an average episode. So when we're not all underwater in 50 years, these are the ten of the shows we should thank.
Having seen the movie version of this show almost ten years ago, I'm not exactly sure why this TV show exists. I guess somebody at ABC Family thought that the premise of two diametrically opposed sisters, one a rebel feminist and one a popular wannabe, was good enough to milk for at least one season? I'm not sure what will happen once the concluding events of the original movie (and The Taming of the Shrew before it) come to pass, i.e. the feminist sister finally dating a boy, thereby making it okay for her little sis to date, but they seem to be providing a number of other sub-plots to fill the time. And I suppose they could always have the older sister date, then stop dating, and the wacky dad can make the younger sis stop dating until big sis is up and running again, thereby stretching out the drama. Seems far-fetched, but this is a sitcom, after all.
Back eighteen million years ago (aka in June) we reported on the rumors that the whizzes behind Gossip Girl were working on a spin-off. Now it seems they've all but confirmed it's happening, though contrary to initial buzz, the new show will not be using the books' tangential series The It Girl (which follows Jenny Humphrey to boarding school) as its source material. Just as well, cuz that platinum-haired moppet is getting on my very last nerve. No official word on what shape this alleged spin-off will take yet, but I've got some ideas for Josh Schwartz et al.
The Simpsons has always been a wellspring of cultural influence, contributing words and phrases to the lexicon ranging from surfer-pilfered Bart-isms like "Cowabunga" and "don't have a cow" to Homer's split-oath "D'Oh" and Nelson's sing-songy taunt "ha-ha." Most recently, the word "meh" was added to the Collins English dictionary, which cited The Simpsons as the term's originator. In ruminating on this latest linguistic development with my cow-orkersĀ®, I had to agree with Zach that it was surprising to see the word affiliated specifically with The Simpsons. I can't remember when exactly I noticed people making use of the word, but I feel like I've been saying it since forever. "Meh" feels like such an instinctively onomatopoetic expression of ambivalence that it's sort of hard to imagine being able to trace it back to its roots. It seems like it's been around forever.
No, HBO hasn't joined the ranks of USA and SciFi in broadcasting the weekly exploits of World Wrestling Entertainment superstars -- the wrestling they're gonna be showing is of the decidedly old-school variety. Their newest drama series, Everybody Hurts, will focus on a family that runs a professional wrestling organization in New York City in the 1970s, back when wrestling was a regional sport, and Andy Kaufman had to go to Memphis to fight Jerry Lawler. Think Hogan Knows Best meets Six Feet Under. It'll be written by The Riches scribe Aaron Blitzstein, who watched regional shows as a child in Baltimore and New York and later did marketing for World Championship Wrestling. (Hopefully, it will be better-written than most WCW storylines. Also, we hope it uses the REM song of the same name as its opening theme.)
MOST RECENT POSTS
Up All Night: Five Reasons Why The Show Deserves Its Renewal
SNL Celebrates Mother's Day and Stale Osama Jokes
The Six Most Horrendous Things About the New Wonder Woman Costume
My Last Reason to Care About Star Wars Has Been Destroyed
Earth Day 2010: Television's Most (Unintentionally) Eco-Friendly Shows
10 Things I Hate About You: A Review of an Adaptation of an Adaptation
Gossip Gossip Gossip (That Last One Was Just For Effect)
Meh Is the Word
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